22.01.1649, Reims - 17.07.1709, Versailles
Pascal Collasse (or Colasse) (22 January 1649 (baptised) – 17 July 1709) was a French composer of the Baroque era. Born in Rheims, Collasse became a disciple of Jean-Baptiste Lully during the latter's domination of the French operatic stage. When Lully died in 1687 leaving his tragédie en musique Achille et Polyxène unfinished, Collasse completed the last four acts of the score. He went on to produce around a dozen operas and ballets, as well as sacred music, including settings of the Cantiques spirituels of Jean Racine. His plan to establish his own opera house in Lille ended in failure when the theatre burnt down. He dabbled in alchemy with even less success. His musical style is close to that of Lully.
22.01.1756, Bologna - 19.08.1812, Bologna
Vincenzo Maria Righini (22 January 1756 – 19 August 1812) was an Italian composer, singer and kapellmeister.
22.01.1779, Casaletto Vaprio - 28.07.1850, Crema
Stefano Pavesi (22 January 1779, Casaletto Vaprio – 28 July 1850) was an Italian composer. He is primarily known as a prolific opera composer; his breakthrough opera was Fingallo e Comala, and his acknowledged opera masterpiece is Ser Marcantonio. He also served as the maestro di cappella of Crema Cathedral from 1814 to 1818 (shared with Giuseppe Gazzaniga), and alone from 1818 (upon Gazzaniga's death) until his death at the age of 71.His first music studies were in Crema (neighboring his birthplace), followed by studies in Naples. While in Naples, Pavesi actively joined the Parthenopean Republic. After its suppression, Pavesi was denounced, imprisoned, and deported to France (allegedly Cimarosa intervened to prevent his execution). In France he played the serpent in Napoleon's army band and remained in Italy after the Battle of Marengo. He returned to Crema in 1814 after the Austrian occupation of northern Italy after the War of the Sixth Coalition. He suffered a stroke in 1831 after the failure of his opera Fenella.
22.01.1781, Charleville-Mézières - 08.02.1849, Paris
François Antoine Habeneck (22 January 1781 – 8 February 1849) was a French classical violinist and conductor.
22.01.1824, Kublov - 23.11.1865, Prague
Josef Leopold Zvonař (22 January 1824 – 23 November 1865) was a Czech composer, pedagogue, and music critic.
22.01.1824, Kublov - 22.11.1865, Prague
Josef Leopold Zvonař (22 January 1824 – 23 November 1865) was a Czech composer, pedagogue, and music critic.
22.01.1824, Kublov - 23.01.1865, Prague
Josef Leopold Zvonař (22 January 1824 – 23 November 1865) was a Czech composer, pedagogue, and music critic.
22.01.1840, Paris - 30.07.1911, Paris
Adolphe Édouard Marie Deslandres (22 January 1840 – 30 July 1911) was a French composer and organist.
22.01.1842, Paris - 12.05.1924, Paris
Henri Maréchal (22 January 1842 – 12 May 1924) was a French composer.
22.01.1846, Paris - 28.05.1916, Paris
Alexandre Jean Albert Lavignac (21 January 1846 – 28 May 1916) was a French music scholar, known for his essays on theory, and a minor composer.
22.01.1870, Bordeaux - 03.11.1939, Arcachon
Charles Arnould Tournemire (22 January 1870 – 3 or 4 November 1939) was a French composer and organist, notable partly for his improvisations, which were often rooted in the music of Gregorian chant. His compositions include eight symphonies (one of them choral), four operas, twelve chamber works and eighteen piano solos. He is mainly remembered for his organ music, the best known being a set of pieces called L'Orgue mystique.
22.01.1871, Szczecin - 04.01.1942, Berlin
Leon Jessel, or Léon Jessel (22 January 1871 – 4 January 1942), was a German composer of operettas and light classical music pieces. Today he is best known internationally as the composer of the popular jaunty march The Parade of the Tin Soldiers, also known as The Parade of the Wooden Soldiers. Jessel was a prolific composer who wrote hundreds of light orchestral pieces, piano pieces, songs, waltzes, mazurkas, marches, choruses, and other salon music. He achieved considerable acclaim with a number of his operettas — in particular Schwarzwaldmädel (Black Forest Girl), which remains popular to this day. Because Jessel was a Jew by birth (he converted to Christianity at the age of 23), with the rise of Nazism in the late 1920s, his composing virtually came to an end, and his musical works, which had been very popular, were suppressed and nearly forgotten.
22.01.1882, Buenos Aires - 26.06.1925, Buenos Aires
Ernesto Drangosch (22 January 1882, in Buenos Aires – 26 June 1925) was an Argentine pianist and composer. He was a student of Alberto Williams.He was born Ernst Otto Paul Richard Drangosch in Buenos Aires to German immigrant parents. His parents were Friederich Carl Drangosch and Augusta Emilia Inés Schneider, from Berlin. He was the professor of Carlo Vidussi, who later on was Maurizio Pollini's teacher. Another pupil was Silvia Eisenstein.
22.01.1898, Lutsk - 29.08.1985, Moscow
Alexander Abramsky (Russian: Алекса́ндр Савва́тьевич Абра́мский; 22 January 1898 in Lutsk – 29 August 1985 in Moscow) was a Soviet composer. He was known for his adaptation of folk music within his compositions.
22.01.1900, Vienna - 22.09.1975, Vienna
Franz Salmhofer (22 January 1900 – 22 September 1975) was an Austrian composer, clarinetist and conductor. He studied the clarinet, composition and musicology in Vienna. Salmhofer served successively as Kapellmeister of the Burgtheater, Director of the Vienna State Opera and Director of the Vienna Volksoper and composed a number of works, few of which are played today.
22.01.1901, Karlsruhe - 30.11.1972, Vienna
Hans Erich Apostel (22 January 1901 – 30 November 1972) was a German-born Austrian composer of classical music.From 1916 to 1919 he studied piano, conducting and music theory in Karlsruhe with Alfred Lorenz. In 1920 he was Kapellmeister and Répétiteur at the Badisches Landestheater in Karlsruhe. He studied in Vienna with Arnold Schoenberg from 1921 to 1925, and from 1925 to 1935 with Alban Berg, two prominent members of the Second Viennese School. At the same time, he taught piano, composition and music theory privately. Some of his compositions demonstrate his particular affinity with expressionist painting—he was friends with Emil Nolde, Oskar Kokoschka and Alfred Kubin. During the Nazi period his music was proscribed as "degenerate", but he continued to live in Vienna until his death in 1972. Apostel was active as a pianist, accompanist, and conductor of contemporary music in Austria, Germany, Switzerland and Italy. After the war, he was prominent in the Austrian branch of the Gesellschaft für Neue Musik, of which he was president from 1947 to 1950. He was an editor for the Universal Edition, and was responsible for new editions of the operas of Alban Berg, Wozzeck (published in 1955) and Lulu (published in 1963). Although he won numerous prizes for his compositions (including the Grand Austrian State Prize in 1957), his works have rarely been performed. He is buried in the Zentralfriedhof in Vienna, Group 32C, No. 57.
22.01.1903, Oxford - 29.12.1959, Lyme Regis
Robin Humphrey Milford (22 January 1903 – 29 December 1959) was an English composer and music teacher.
22.01.1911, Buenos Aires - 26.10.2003, Buenos Aires
Roberto García Morillo (January 22, 1911 – October 26, 2003) was an Argentine composer, musicologist, music professor and music critic.
22.01.1929, Žamberk - 24.10.2007, Prague
Petr Eben (22 January 1929 – 24 October 2007) was a Czech composer of modern and contemporary classical music, and an organist and choirmaster.
22.01.1929, Naples - 26.05.2009, Naples
Antonio Braga (22 January 1929 – 26 May 2009 in Naples) was an Italian classical composer. Born in Naples, he wrote ballets, concerto, ouvertures, symphonies and three operas.
22.01.1969, Tel Aviv - ,
Roy Zu-Arets (Hebrew: רועי זו-ארץ, born January 22, 1969) is an American-Israeli composer, pianist, music producer, and arranger.