Born Today! 25.09.2024

Francesco Provenzale (25 September 1632 – 6 September 1704) was an Italian Baroque composer and teacher. He is considered the founder of the Neapolitan school of opera. Notably Provenzale was the teacher of famed castrato 'il cavaliere Nicolo Grimaldi (detto Nicolini)'.

Nicola Conforto (25 September 1718 – 17 March 1793) was an Italian composer. He studied music in his hometown at the Conservatorio di Santa Maria di Loreto (Music conservatories of Naples), under the tutorship of Giovanni Fischetti and Francesco Mancini . After receiving his training, he made his debut during the carnival of 1746 in Naples as an opera composer with La finta vedova (The false widow). In the following years he staged his other works both in Naples and in Rome; the fame he achieved thanks to these successes meant that in 1750 he received the commission from the Teatro San Carlo for his first opera seria, Antigonus . In 1749 he married the singer Zefferina Anselmi, with whom he had three children. In 1751 he wrote the cantata Gli orti esperidi (The Hesperides gardens) in honor of the Empress Maria Theresa of Austria, to celebrate the name day of the Spanish king Ferdinand VI on 30 May 1752 he presented the drama Siroe, and on 23 September 1754 for the birthday celebrations of the King of Naples Charles III he presented L'eroe cinese (the Chinese hero). These latter two works gained much acclaim in Madrid, so much so that in 1756 he was named compositore d'opera di corte (composer of the work of the court). Later he received the title of Kapellmeister, but despite this his importance as a composer began to decline and in his later years he devoted himself less to creating compositions writing only occasionally music for the holidays. His style involved beautiful and pleasing melodies, similar to other composers in the Iberian peninsula. He played an important part in establishing the taste for Italian operas in Spain. His works were sung by Italian singers with bilingual librettos. His church music, written after 1759, shows the influence of Feijoo, who argued against the use of violins in liturgical music. Of his nine Lamentations for solo soprano and orchestra (1766) the three for Good Friday dispense with violins, while the first for Holy Saturday omits strings except violas d'amore; his Miserere for three choirs (1768) is accompanied by violas and woodwind.

Václav Pichl (25 September 1741 – 23 January 1805; known in German as Wenzel Pichl) was a Czech classical composer of the 18th century. He was also a violinist, music director and writer. Pichl was born at Bechyně, Bohemia. His first musical training was at Bechyne with the cantor Jan Pokorný. He served as a singer between the years 1752–1758 at the Jesuit college at Březnice. In Prague, he was a violinist at the Jesuit seminary of Saint Wenceslaus and his studies while at the university were philosophy, theology and law. He was appointed to the post of first violinist of the Týn Church in 1762 and studied counterpoint with the organist J. N. Seger. In 1765 he was engaged by the composer Carl Ditters von Dittersdorf as a violinist for the private orchestra of Bishop Adam Patachich at Nagyvárad (now Oradea, Romania). The orchestra was dissolved in 1769 and Pichl became the music director for Count Ludwig Hartig in Prague. In about 1770 he became first violinist of the Vienna court theatre and on the recommendation of the Empress Maria Theresa, he became music director for the Austrian governor of Lombardy at Milan, Ferdinand Karl, Archduke of Austria-Este. Pichl went to Italy in 1777 and remained there until 1796 when the French invaded Lombardy, he then returned to Vienna, where he stayed in the service of the archduke until his death (apart from a brief visit to Prague in 1802). In 1785, he met Mozart and became friends with him. While Pichl was active in Milan, he served as Nikolaus I, Prince Esterházy's musical trustee in Milan, as well having composed over 148 pieces for the prince's favorite instrument, the baryton. A detailed list of works that Pichl prepared for Dlabac’s Künstler-Lexikon (1802) runs to around 900 items, most of which are still extant. Wenzel Pichl died at Vienna, Austria, on 23 January 1805, as the result of a stroke while playing a violin concerto at the Palais Lobkowitz. He was 63 years old.

Michał Kleofas Ogiński (25 September 1765 – 15 October 1833) was a Polish diplomat and politician, Grand Treasurer of Lithuania, and a senator of Tsar Alexander I. He was also a composer of late Classical and early Romantic music.

Karl Klindworth (25 September 1830 – 27 July 1916) was a German composer, virtuoso pianist, conductor, violinist and music publisher. He was one of Franz Liszt's pupils and later one of his closest disciples and friends, being also on friendly terms with composer Richard Wagner, of whom he was an admirer. He was highly praised by fellow musicians, including Wagner himself and Edward Dannreuther. Among his pupils were Hans von Bülow, Georgy Catoire, and Ethelbert Nevin.

Léon Boëllmann (French pronunciation: [leɔ̃ bɔ.ɛlman]; 25 September 1862 – 11 October 1897) was a French composer, known for a small number of compositions for organ. His best-known composition is Suite gothique (1895), which is a staple of the organ repertoire, especially its concluding Toccata.

Yuri Sergeevich Sakhnovsky (September 25, 1866 – April 2, 1930) was a Russian composer, conductor, and music critic. Sakhnovsky came from a well-off family and was known as a "bon vivant (he weighed 260.lbs) handsome, brilliant and wealthy". Sakhnovsky studied chant with Stepan Vasilevich Smolensky, to whom Sergei Rachmaninoff dedicated his Vespers, though Sakhnovsky later turned to a more "lush" style of choral writing. While a student Sakhnovsky took in his eight-year younger fellow student Rachmaninoff during the difficult winter when it seemed he was suffering from malaria. In later life Sakhnovsky was active more as a critic than a composer. Particularly notorious were his attacks on Alexander Scriabin's music as "decadent" from 1911-1914. His song "The Blacksmith" was recorded by Maxim Mikhailov and his song "The Clock" was recorded by Vladimir Rosing.

Jesús Guridi Bidaola (25 September 1886 – 7 April 1961) was a Spanish Basque composer who was a key player in 20th-century Spanish and Basque music. His style fits into the late Romantic idiom, directly inherited from Wagner, and with a strong influence from Basque culture. Among his best-known works are the zarzuela El Caserío, the opera Amaya, the orchestral work Ten Basque Melodies and his organ works, where the Triptych of the Good Shepherd can be highlighted.

Robert Gerhard i Ottenwaelder (Catalan pronunciation: [ruˈβɛɾd ʒəˈɾaɾt]; 25 September 1896 – 5 January 1970) was a Spanish and British composer, musical scholar, and writer, generally known outside his native region of Catalonia as Roberto Gerhard.

Ricard Lamote de Grignon i Ribas (Catalan pronunciation: [riˈkaɾd ləˈmɔd də ɡɾiˈɲɔn]; 25 September 1899 – 5 February 1962) was a Catalan Spanish composer and orchestral conductor. Ricard Lamote de Grignon was born and died in Barcelona. He was the only son of the composer Joan Lamote de Grignon and Florentina Ribas. He was initiated into the world of music by his father, then later studied at the Conservatori Superior de Música del Liceu and at the Academia Marshall, both in Barcelona. At the age of 20 he joined the Barcelona Symphony Orchestra and the Gran Teatre del Liceu as a cellist. In 1930 he was appointed director of the Girona Symphony Orchestra and in 1932 he won the appointment as assistant conductor of the Barcelona Municipal Band. At the onset of the Spanish Civil War he fled to Valencia to join his father, working alongside him as assistant director of the newly created Municipal Orchestra. In 1948 he returned to Barcelona but, finding it impossible to regain his place as director of the Municipal Band, dedicated himself to musical composition and study. In 1957 he occupied the post of deputy director of the Municipal Orchestra, collaborating with his great friend Eduard Toldrà until his death in 1962.

Cemal Reşit Rey (Turkish pronunciation: [dʒeˈmaɫ ɾeˈʃit ɾej]; 25 October 1904 – 7 October 1985) was a Turkish composer, pianist, script writer and conductor. He was well known for a string of successful and popular Turkish-language operettas for which his brother Ekrem Reşit Rey (1900–1959) wrote the librettos. He was born on 25 October 1904 in Jerusalem and died on 7 October 1985 in Istanbul. He was one of the five pioneers of Western classical music in Turkey known as 'The Turkish Five' in the first half of the 20th century. Notable students include Yüksel Koptagel, a Turkish composer and pianist.

Dmitri Dmitriyevich Shostakovich (25 September [O.S. 12 September] 1906 – 9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera Lady Macbeth of Mtsensk was initially a success but later condemned by the Soviet government, putting his career at risk. In 1948 his work was denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Thirteenth Symphony (1962). Nevertheless, Shostakovich was a member of the Supreme Soviet of the RSFSR (1947) and the Supreme Soviet of the Soviet Union (from 1962 until his death), as well as chairman of the RSFSR Union of Composers (1960–1968). Over the course of his career, he earned several important awards, including the Order of Lenin, from the Soviet government. Shostakovich combined a variety of different musical techniques in his works. His music is characterized by sharp contrasts, elements of the grotesque, and ambivalent tonality; he was also heavily influenced by neoclassicism and by the late Romanticism of Gustav Mahler. His orchestral works include 15 symphonies and six concerti (two each for piano, violin, and cello). His chamber works include 15 string quartets, a piano quintet, and two piano trios. His solo piano works include two sonatas, an early set of 24 preludes, and a later set of 24 preludes and fugues. Stage works include three completed operas and three ballets. Shostakovich also wrote several song cycles, and a substantial quantity of music for theatre and film. Shostakovich's reputation has continued to grow after his death. Scholarly interest has increased significantly since the late 20th century, including considerable debate about the relationship between his music and his attitudes toward the Soviet government.

Eugen Suchoň (September 25, 1908 – August 5, 1993) was one of the most important Slovak composers of the 20th century.

Glenn Herbert Gould (; né Gold; 25 September 1932 – 4 October 1982) was a Canadian classical pianist. He was among the most famous and celebrated pianists of the 20th century, renowned as an interpreter of the keyboard works of Johann Sebastian Bach. His playing was distinguished by remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music. Gould rejected most of the Romantic piano literature by Chopin, Liszt, Rachmaninoff, and others, in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. Gould also recorded works by Mozart, Haydn, Scriabin, and Brahms; pre-Baroque composers such as Jan Pieterszoon Sweelinck, William Byrd, and Orlando Gibbons; and 20th-century composers including Paul Hindemith, Arnold Schoenberg, and Richard Strauss. Gould was also a writer and broadcaster, and dabbled in composing and conducting. He produced television programmes about classical music, in which he would speak and perform, or interact with an interviewer in a scripted manner. He made three musique concrète radio documentaries, collectively the Solitude Trilogy, about isolated areas of Canada. He was a prolific contributor to music journals, in which he discussed music theory. Gould was known for his eccentricities, ranging from his unorthodox musical interpretations and mannerisms at the keyboard to aspects of his lifestyle and behaviour. He disliked public performance, and stopped giving concerts at age 31 to concentrate on studio recording and media.

Stanislav Stanislavovich Bunin (Russian: Станислав Станиславович Бунин; born 25 September 1966) is a Russian-born concert pianist.

Rami Khalifé (born September 25, 1981) is a French-Lebanese composer and pianist.