Born Today! 10.10.2023

Wolfgang Caspar Printz (10 October 1641 – 13 October 1717), normally referred to as Wolfgang Printz (with sometimes the variation of Kaspar), was a German composer who studied theology and was appointed cantor at Promnitz, Treibel and Sorau. His Historische Beschreibung der edlen Sing- und Klingkunst...von Anfang der Welt bis auf unserer Zeit (which in English means: Historical description of the noble art of singing and instrumental music ... from the beginning of the world until our time) was the first history of music written in Germany.

Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893). His operas remain extremely popular, especially the three peaks of his 'middle period': Rigoletto, Il trovatore and La traviata. The bicentenary of his birth in 2013 was widely celebrated in broadcasts and performances.

Gerónimo Giménez y Bellido (10 October 1854 – 19 February 1923) was a Spanish conductor and composer, who dedicated his career to writing zarzuelas, such as La tempranica and La boda de Luis Alonso. He preferred to spell his first name with a "G", even though his name at birth officially began with a "J". Written in Spanish, a very comprehensive biographical exposition by Ascensión García de las Mozas may be found at the Universidad de Cádiz institutional repository of Research and Learning Objects (RODIN) https://rodin.uca.es/bitstream/handle/10498/7788/33195031.pdf?sequence=1

Walter Rudolph Niemann (10 October 1876 – 17 June 1953) was a German composer, arranger, and music critic.

Vernon Duke (10 October [O.S. 27 September] 1903 – 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), "April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the Ziegfeld Follies of 1934, also with Harburg. He wrote the words and music for "Autumn in New York" (1934) for the revue Thumbs Up! In his book, American Popular Song, The Great Innovators 1900-1950, composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn.

Giovanni Fusco (10 October 1906, Sant'Agata dei Goti, Benevento – 31 May 1968, Rome) was an Italian composer, pianist and conductor, who has written numerous film scores since 1936, including those of Alain Resnais's Hiroshima mon amour (1959) and La guerre est finie (1966), as well as those of most of the 1948-1964 films directed by Michelangelo Antonioni, from N.U. (Nettezza Urbana) to Il deserto rosso, except for La notte (soundtrack by Giorgio Gaslini) and some of his early short films. Two of his soundtracks, those of Antonioni's Cronaca di un amore and L'avventura, won Silver Ribbon for the best film score from Italian National Syndicate of Film Journalists in 1951 and 1961, respectively. His brother Tarcisio Fusco was also a composer. His daughter was the operatic soprano Cecilia Fusco.

Giovanni Fusco (10 October 1906, Sant'Agata dei Goti, Benevento – 31 May 1968, Rome) was an Italian composer, pianist and conductor, who has written numerous film scores since 1936, including those of Alain Resnais's Hiroshima mon amour (1959) and La guerre est finie (1966), as well as those of most of the 1948-1964 films directed by Michelangelo Antonioni, from N.U. (Nettezza Urbana) to Il deserto rosso, except for La notte (soundtrack by Giorgio Gaslini) and some of his early short films. Two of his soundtracks, those of Antonioni's Cronaca di un amore and L'avventura, won Silver Ribbon for the best film score from Italian National Syndicate of Film Journalists in 1951 and 1961, respectively. His brother Tarcisio Fusco was also a composer. His daughter was the operatic soprano Cecilia Fusco.

Thomas Wilson CBE FRSE (10 October 1927 – 12 June 2001) was an American-born Scottish composer of classical music.

Evgeny Igorevich Kissin (Russian: Евге́ний И́горевич Ки́син, romanized: Evgénij Ígorevič Kísin, Yiddish: יעווגעני קיסין, romanized: Yevgeni Kisin; born 10 October 1971) is a Russian-born concert pianist and composer. He became a British citizen in 2002 and an Israeli citizen in 2013. He first came to international fame as a child prodigy. He has a wide repertoire and is especially known for his interpretations of the works of the Romantic era, particularly those of Franz Schubert, Frédéric Chopin, Robert Schumann, Franz Liszt, Johannes Brahms, Sergei Rachmaninoff, Modest Mussorgsky and Ludwig van Beethoven. He is commonly viewed as a great successor of the Russian piano school because of the depth, lyricism and poetic quality of his interpretations.

Richard Beaudoin (born October 10, 1975) is an American composer of contemporary music. His music and writings explore compositional uses of expressive timing, or microtiming.