Born Today! 04.09.2023

Luigi Bassi, Pesaro, 5 September 1766 – Dresden, 13 September 1825, was an Italian operatic baritone. When writing his Life of Rossini, Stendhal tells of the time in 1813 when he met Bassi in Dresden and spoke of "Mr Mozart;" Bassi said he was entranced that someone should still refer to him as "Mr" Mozart. The affection he felt for the great master was thus clear to the casual visitor, but can also be understood from the importance of the roles he gave Bassi towards the end of his life. At the age of just twenty, he sang the role of Count Almaviva at the Prague premiere of Mozart's Le nozze di Figaro, after which contemporaries said, Bassi is also a very skilful actor, who handles tragedy without being absurd, and comedy without lapses of taste. When he is in a mischievous mood he will, for instance, parody the faults of the other singers so exquisitely that only the audience, not the singers, are aware of it... He never spoils a part. The people of Prague were so happy with this performance of the opera composed by "Mozard" that they asked Domenico Guardasoni, impresario of the Prague National Theatre, to organise another opera. Guardasoni wrote to Da Ponte and work began on Don Giovanni. It was only natural that Bassi was called upon to sing again, and the role of Don Giovanni was written specially for him (with several joking references to the performance given the previous year). He did not like Finch'han dal vino, and asked Mozart to write another number where he could show off his vocal talents to the best; Mozart wrote Là ci darem la mano for Bassi, who is said to have forced five re-writes until he was satisfied. Bassi moved to Leipzig, and there he sang Papageno in the Magic Flute in 1793, but shortly afterwards his singing ability had deteriorated (although his acting ability was as great as ever). A newspaper article said of him: Bassi was an excellent singer before he lost his voice, and he still knows very well how to use what remains. It lies between tenor and bass, and though it sounds somewhat hollow, it is still very flexible, full and pleasant. Herr Bassi is furthermore a very skilled actor in tragedy with no trace of burlesque, and with no vulgarity or tastelessness in comedy. In his truly artful and droll way he can parody the faults of the other singers so subtly that only the audience notices and they themselves are unaware of it. His best roles are Axur, Don Giovanni, Teodoro, the Notary in La Molinara, the Count in Figaro, and others. Bassi moved to Prague, but the war forced him to seek protection from Prince Lobkowitz and he occasionally travelled to Vienna to sing. In 1814 he moved to Dresden, where he worked for the Italian company. He still sang Mozart roles, and he was popular with audiences, although his voice was beginning to fail. Until his death he would occasionally travel to Italy for singing engagements, but in later life only sang sacred works.

François Emmanuel Joseph Bazin (pronounced [fʁɑ̃.swa ba.zɛ̃]) (4 September 1816 – 2 July 1878) was a well-known French opera composer during the nineteenth century.

Josef Anton Bruckner (German: [ˈantoːn ˈbʁʊknɐ] ; 4 September 1824 – 11 October 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works. His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick and other supporters of Johannes Brahms, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler.

Ján Levoslav Bella (German Johann Leopold Bella; 4 September 1843 – 25 May 1936) was a Slovak composer, conductor and music teacher, who wrote in the spirit of the Nationalist Romantic movement of the 19th century. One of the founders of Slovak composer music.

Edoardo Mascheroni (born Milan, 4 September 1852 – died Valganna, 4 March 1941) was an Italian composer and conductor. He is remembered for conducting the world premiere of Giuseppe Verdi's Falstaff; he also composed two operas of his own, to libretti by Luigi Illica. His brother Angelo was also a composer.

Darius Milhaud (French: [daʁjys mijo]; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as The Group of Six—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers. A renowned teacher, he taught many future jazz and classical composers, including Burt Bacharach, Dave Brubeck, Philip Glass, Steve Reich, Karlheinz Stockhausen and Iannis Xenakis among others.

Sholom Secunda (4 September [O.S. 23 August] 1894, Alexandria, Kherson Governorate, Russian Empire – 13 June 1974, New York) was an American composer of Ukrainian-Jewish descent, best known for the tunes of Bei Mir Bistu Shein and Donna Donna.

Alexander Moyzes (4 September 1906 – 20 November 1984) was a Slovak neoromantic composer.