Born Today! 28.08.2024

Agostino Accorimboni (28 August 1739 - 13 August 1818), last name also given as Accoramboni, Accorimbeni or Accorrimboni, was an Italian composer known mostly for his operas. He composed thirteen operas of which ten premiered in Rome between 1770 and 1785.

Peter Winter, later Peter von Winter, (baptised 28 August 1754 – 17 October 1825) was a German violinist, conductor and composer, especially of operas. He began his career as a player at the Mannheim court, and advanced to conductor. When the court moved to Munich, he followed and later became kapellmeister of the opera there. His opera Das Labyrinth, a sequel to Mozart's Die Zauberflöte, was premiered in Vienna in 1798, and his Maometto at La Scala in Milan in 1817. His work has been regarded as a bridge between Mozart and Weber in the development of German opera.

Edmee Sophie Gail née Garre (28 August 1775 – 24 July 1819) was a French singer and composer.

Albert Hermann Dietrich (28 August 1829 – 20 November 1908), was a German composer and conductor. In addition to his work, he is remembered for his friendship with Johannes Brahms. Dietrich was born at Golk, near Meissen. From 1851 he studied composition with Robert Schumann in Düsseldorf, where in October 1853 he first met Brahms and collaborated with Schumann and Brahms on the 'F-A-E' Sonata for Joseph Joachim (Dietrich composed the substantial first movement). From 1861 until 1890 he was the musical director at the court of Oldenburg, where Brahms often visited him and where he introduced many of Brahms's works. It was in Dietrich's library that Brahms discovered the volume of poetry by Hölderlin that furnished him with the text for his Schicksalslied, which he began composing while visiting Wilhelmshaven dockyard in Dietrich's company. Dietrich was also instrumental in arranging for the premiere of Brahms's German Requiem at Bremen in 1868. Dietrich's own works include an opera Robin Hood, a Symphony in D minor (1869, dedicated to Brahms), a Violin Concerto in the same key (composed for Joseph Joachim but premiered in 1874 by Johann Lauterbach), a Cello Concerto, Horn Concerto, choral works and several chamber compositions including two piano trios. Dietrich's Recollections of Brahms, published in Leipzig in 1898, was translated into English the following year and remains an important biographical source. The Brahms scholar David Brodbeck has theorized (The Cambridge Companion to Brahms, 1999) that Dietrich is the most likely author of the anonymous Piano Trio in A major, discovered in 1924, which some scholars have attributed to Brahms; but Malcolm MacDonald (Brahms, 2nd ed, 2001) has maintained that, if any specific composer is to be sought for this work, Dietrich remains the more likely candidate on balance of stylistic probabilities. Albert Dietrich died in Berlin. One of his students was Ernst Eduard Taubert.

Umberto Menotti Maria Giordano (28 August 1867 – 12 November 1948) was an Italian composer, mainly of operas. His best-known work in that genre was Andrea Chénier (1896). He was born in Foggia in Apulia, southern Italy, and studied under Paolo Serrao at the Conservatoire of Naples. His first opera, Marina, was written for a competition promoted by the music publishers Casa Sonzogno for the best one-act opera, remembered today because it marked the beginning of Italian verismo. The winner was Mascagni's Cavalleria rusticana. Giordano, the youngest contestant, was placed sixth among seventy-three entries with his Marina, a work which generated enough interest for Sonzogno to commission the staging of an opera based on it in the 1891–92 season. The result was Mala vita, a gritty verismo opera about a labourer who vows to reform a prostitute if he is cured of his tuberculosis. This work caused something of a scandal when performed at the Teatro Argentina, Rome, in February 1892. It played successfully in Vienna, Prague and Berlin and was re-written as Il Voto a few years later, in an attempt to raise interest in the work again. Giordano tried a more romantic topic with his next opera, Regina Diaz, with a libretto by Giovanni Targioni-Tozzetti and Guido Menasci (1894), but this was a failure, taken off the stage after just two performances. Giordano then moved to Milan and returned to verismo with his best-known work, Andrea Chénier (1896), based on the life of the French poet André Chénier. Fedora (1898), based on Victorien Sardou's play, featured the rising young tenor Enrico Caruso. It was also a success and is still performed today. His later works are much less known, but occasionally revived and in the case of La cena delle beffe (based on the play of the same title by Sem Benelli) recognised by musicologists and critics with some respect. He died in Milan at the age of 81. The most important theater in his home town of Foggia has been dedicated to Umberto Giordano. A square in Foggia is also named after him and contains several statues representing his most famous works.

Franco Ghione (1886–1964) was an Italian conductor and violinist. He graduated from the Parma Conservatory and became a violinist for the Parma Theatre and the Augusteo in Rome. He began a conducting career in 1913 and conducted in many opera houses, including La Scala. He conducted the Detroit Symphony Orchestra from 1936 to 1940, where it was said that, because he could not speak English, he "would explode in frustration" when his instructions were not understood. After graduating in composition and violin at the Parma Conservatory, Ghione began his musical career as a violinist in the orchestras of the Parma Theatre and of the Augusteo in Rome, and then he made his debut as a conductor in 1913. His first appearance at La Scala was in the 1922–23 season with successful performances of Massenet's Manon and Donizetti's Lucia di Lammermoor. From then on, he was regularly invited to conduct in major opera houses and worked with the finest voices of the period. He has left us numerous interesting recordings, among which we recall especially Pagliacci (by Leoncavallo) with Beniamino Gigli; Mascagni's Cavalleria Rusticana with Del Monaco and Elena Nicolai; Puccini's Turandot with Gina Cigna, Francesco Merli, and Magda Olivero; Massenet's Werther with Tito Schipa; and Verdi's La traviata with Maria Callas.

Karl August Leopold Böhm (28 August 1894 – 14 August 1981) was an Austrian conductor. He was best known for his performances of the music of Mozart, Wagner, and Richard Strauss.

José María Franco Bordóns (Irun, 1894–1971) was a Basque composer. He was one of the "músicos del '27."

Rudolf Wagner-Régeny (28 August 1903, Szászrégen, Transylvania, Kingdom of Hungary, Austro-Hungarian Empire (now Reghin, Romania) – 18 September 1969, Berlin) was a composer, conductor, and pianist. Born in Transylvania, Kingdom of Hungary, since 1920 Romania, he became a German citizen in 1930, and then East German after 1945. From 1919 to 1920 he studied at the Leipzig Conservatory. In 1920 he enrolled at the Berlin Hochschule für Musik as a student of Rudolf Krasselt and Siegfried Ochs for conducting, and for orchestration of Emil von Řezníček, and with Friedrich Koch and Franz Schreker for musical composition, graduating in 1923. He served as choirsmaster at the Volksoper Berlin from 1923–1925. In 1927 joined Laban's dance company where he conducted productions for three years. Wagner-Régeny first gained notice as a composer with his theatre pieces for Essen. In 1929 he met the designer Caspar Neher, who wrote the texts for Wagner-Régeny's best-known operas. In 1930 Wagner-Régeny became a naturalized German citizen, and married, his wife being half-Jewish. Between 1930 and 1945 he worked as a freelance composer and teacher, and with the rise of the Nazis was promoted by a faction of the party as a composer of the future despite the stylistic closeness of his music to the proscribed Kurt Weill. He managed to gain the friendship and esteem of Baldur von Schirach and his works were performed by Karl Böhm and Herbert von Karajan. However, the success of his opera Der Günstling (after Georg Büchner, Dresden, February 20, 1935) was followed by doubts regarding his subsequent output, ending in a scandal with his opera Johanna Balk at the Vienna State Opera (April 4, 1941), which aroused the ire of Joseph Goebbels. As punishment, Wagner-Regény was drafted into the military in 1942 (or 1943), though he managed to secure a desk job in the army, and survived the war. After the close of World War II, Rudolf Wagner-Régeny opted for East instead of West Germany. He was director of the Rostock Hochschule für Musik from 1947 to 1950. In 1950 he was appointed as a professor of composition at the (East) Berlin Hochschule für Musik and at the Academy of Arts. He continued to work there until illness prevented it in 1968. As a composer, Wagner-Regény wrote numerous symphonic works and chamber works. He composed 12 operas of which Die Bürger von Calais (1936, libretto by Neher), Johanna Balk (1938), Das Bergwerk zu Falun (1958, after ETA Hoffmann) (cf. "The Mines of Falun") and Prometheus (1959) are considered his best work. His 1958 ballet Tristan is also greatly admired. He struggled to find a musical language distinct from the extremes of modernism but without any association with fascist aesthetics. His early compositions were inspired by Busoni, Kurt Weill and Schoenberg. His theatre collaborations with Neher and Bertolt Brecht were also of importance for the development of his style. After composing works along traditional lines, he adopted his own twelve-tone serial technique in 1950. In their transparency and austerity, his stage works follow the music theatre of Weill and Hanns Eisler and somewhat parallel those of Boris Blacher.

David Tamkin (28 August 1906 – 21 June 1975) was an American composer of Jewish descent, born in Chernihiv, Russian Empire. He devoted much of his professional career as an arranger, composer [uncredited] and orchestrator of film scores for Hollywood movies. He worked on more than 50 films between 1939 and 1970. His opera The Dybbuk premiered at New York City Opera in October, 1951.

István Kertész (28 August 1929 – 16 April 1973) was a Hungarian orchestral and operatic conductor who throughout his brief career led many of the world's great orchestras, including the Cleveland, Chicago, Philadelphia, New York, Los Angeles, Pittsburgh, Detroit, San Francisco and Minnesota Orchestras in the United States, as well as the London Symphony, Vienna Philharmonic, Berlin Philharmonic, Royal Concertgebouw Orchestra, Israel Philharmonic, and L'Orchestre de la Suisse Romande. His orchestral repertoire numbered over 450 works from all periods, and was matched by a repertoire of some sixty operas ranging from Mozart, Verdi, Puccini and Wagner to the more contemporary Prokofiev, Bartók, Britten, Kodály, Poulenc and Janáček. Kertész was part of a musical tradition that produced fellow Hungarian conductors Fritz Reiner, Antal Doráti, János Ferencsik, Eugene Ormandy, George Szell, János Fürst, Peter Erős, Ferenc Fricsay, and Georg Solti.

John Stanton Shirley-Quirk CBE (28 August 1931 – 7 April 2014) was an English bass-baritone. A member of the English Opera Group from 1964 to 1976, he gave premiere performances of several operatic and vocal works by Benjamin Britten, recording these and other works under the composer's direction. He also sang and recorded a wide range of works by other composers, ranging from Handel through Tchaikovsky to Henze.

Rafał Augustyn (born August 28, 1951, in Wrocław, Poland) is a composer of classical music, and a pianist, music critic, writer and scholar of Polish philology. As a composer, he has written symphonies, chamber orchestra works, vocal and electronic music, as well as music for theatre. Since the mid-1990s, Augustyn has collaborated with visual artists, architects and photographers on numerous multimedia artworks.