Born Today! 07.11.2024

Carlo Cecere (7 November 1706 – 15 February 1761) was an Italian composer of operas, concertos and instrumental duets including, for example, some mandolin duets and a concerto for mandolin. Cecere worked in the transitional period between the Baroque and Classical eras.

Carlo Cecere (7 November 1706 – 15 February 1761) was an Italian composer of operas, concertos and instrumental duets including, for example, some mandolin duets and a concerto for mandolin. Cecere worked in the transitional period between the Baroque and Classical eras.

Friedrich Wilhelm Michael Kalkbrenner (7 November 1785 – 10 June 1849), also known as Frédéric Kalkbrenner, was a pianist, composer, piano teacher and piano manufacturer. German by birth, Kalkbrenner studied at the Conservatoire de Paris, starting at a young age and eventually settled in Paris, where he lived until his death in 1849. Kalkbrenner composed more than 200 piano works, as well as many piano concertos and operas. When Frédéric Chopin came to Paris, Kalkbrenner suggested that Chopin could benefit by studying in one of Kalkbrenner's schools. It was not until the late 1830s that Kalkbrenner's reputation was surpassed by the likes of Chopin, Thalberg and Liszt. Author of a famous method of piano playing (1831) which was in print until the late 19th century, he ran in Paris what is sometimes called a "factory for aspiring virtuosos" and taught scores of pupils from as far away as Cuba. His pupils included Marie Pleyel, Marie Schauff, and Camille-Marie Stamaty. Through Stamaty, Kalkbrenner's piano method was passed on to Louis Moreau Gottschalk and Camille Saint-Saëns. He was one of the few composers who through deft business deals became enormously rich. Chopin dedicated his first piano concerto to him. Kalkbrenner created transcriptions of Beethoven's nine symphonies for solo piano which were published by Giovanni Canti from 1842-1844; decades before Liszt did the same. He was the first to introduce long and rapid octave passages in both hands – today so familiar from 19th century piano music – into his piano texture; however it could be argued that he was preceded by Beethoven with this particular technique.

Ferenc Erkel (Hungarian: Erkel Ferenc Hungarian pronunciation: [ˈɛrkɛl ˈfɛrɛnt͡s], German: Franz Erkel; November 7, 1810 – June 15, 1893) was a Hungarian composer, conductor and pianist. He was the father of Hungarian grand opera, written mainly on historical themes, which are still often performed in Hungary. He also composed the music of "Himnusz", the national anthem of Hungary, which was adopted in 1844. He died in Budapest.

Hermann Levi (7 November 1839 – 13 May 1900) was a German Jewish orchestral conductor. Levi was born in Giessen, Germany, the son of a rabbi. He was educated at Giessen and Mannheim, and came to Vinzenz Lachner's notice. From 1855 to 1858 Levi studied at the Leipzig Conservatory, and after a series of travels which took him to Paris, he obtained his first post as music director at Saarbrücken, which post he exchanged for that at Mannheim in 1861. From 1862 to 1864 he was chief conductor of the German Opera in Rotterdam, then until 1872 at Karlsruhe, when he went to Munich, a post he held until 1896, when ill health compelled him to resign. Levi also taught at the Leipzig Conservatory, where his pupils included the conductor Emil Steinbach. Levi's name is indissolubly connected with the increased public appreciation of Richard Wagner's music. He was a longtime friend of Wagner; when preparing for the inaugural Bayreuth Festival, he wrote to his father, "Wagner is the best and noblest of men ... I thank God daily for the privilege to be close to such a man. It is the most beautiful experience of my life". He conducted the first performance of Parsifal at Bayreuth in 1882, even though Wagner initially objected to this and was quoted as saying that Levi should be baptized before conducting it. However, Ludwig II of Bavaria, who was Wagner's patron, told him in a letter that "Nothing is more repugnant, nothing less edifying than such squabbles; people after all are brothers, in spite of all denominational differences." Levi was connected with the musical life at Bayreuth during the remainder of his career. He visited London in 1895, and died in Munich in 1900. He was interred in a mausoleum in the grounds of his villa later that year in Garmisch-Partenkirchen. During his early years, Levi also worked as a composer. His first opus number was a piano concerto published in Paris, besides which he also wrote a violin sonata.

Ignaz Brüll (7 November 1846 – 17 September 1907) was a Moravian-born pianist and composer who lived and worked in Vienna. His operatic compositions included Das goldene Kreuz (The Golden Cross), which became a repertory work for several decades after its first production in 1875, but eventually fell into neglect after being banned by the Nazis because of Brüll's Jewish origins. He also wrote a small corpus of finely crafted works for the concert hall and recitals. Brüll's compositional style was lively but unabashedly conservative, in the vein of Mendelssohn and Schumann. Brüll was also highly regarded as a sensitive concert pianist. Johannes Brahms regularly wanted Brüll to be his partner in private performances of four-hand piano duet arrangements of his latest works. Indeed, Brüll was a prominent member of Brahms's circle of musical and literary friends, many of whom he and his wife frequently entertained. In recent years, Brüll's concert music has been revived on CD, and well-received recordings are available of his piano concertos, among other non-vocal works. In 1872 he was appointed professor at the Horak Institute in Vienna.

Efrem Kurtz (Russian: Ефрем Курц; November 7, 1900 – June 27, 1995) was a Russian conductor.

William Alwyn (born William Alwyn Smith; 7 November 1905 – 11 September 1985), was an English composer, conductor, and music teacher.

Ali Tajvidi (Persian: علی تجويدی; November 7, 1919 – March 15, 2006) was an Iranian musician, composer, violinist, songwriter, and music professor at the School of National Music and Tehran University. He composed more than 150 songs and discovered and produced for many Persian performers such as Delkash and Hayedeh. He was born in Tehran, where his father was active as a painter in the style of Kamal-ol-Molk. In his youth he took violin lessons for two years under Hossein Yahaghi (uncle of Parviz Yahaghi) and for many years was under the tutelage of Abol-Hassan Saba for the violin as well. also took Harmony lessons under Houshang Ostovar. After 1941, having developed his violin technique considerably, Tajvidi performed regularly as a violin soloist in Radio Iran programs. In later years, he conducted two orchestras, for which he wrote numerous compositions. Asheqi Sheyda, Be Yad-e Saba, Atash-e Karevan, Didi ke Rosva Shod Delam, and Sang-e Khara are among his best known works. He wrote a three-volume book, entitled "Persian Music", which has been released by the Soroush Publishing Company. In 1978 the Iranian government acknowledged his musical accomplishments by awarding him the highest artistic medal that they dispense. During his career Tajvidi cooperated with outstanding contemporary artists including Delkash, Gholamhossein Banan, Hossein Qavami, Mahmoud Mahmoudi-Khansari, Akbar Golpaygani, Hossein Khajeh Amiri (a.k.a. Iraj), Jalil Shahnaz, Farhang Sharif, Habibollah Badiei, Parviz Yahaghi, Javad Maroufi, Faramarz Payvar, Mehdi Khaledi, Homayoun Khorram. Homeira, a noted singer, first became famous by the song (sabram ata kon) which was composed by Ali Tajvidi. Tajvidi also composed some songs that he played solo on the violin. He is regarded as one of the best violinists in Iran, on a par with Parviz Yahaghi. He also played the Setar. He made Radif which concerns the traditional music of Iran: maghami or dhastgahi for the violin.

Raymond Henry Charles Warren (born 7 November 1928) is a British composer and university teacher. He studied at Cambridge, and taught at Queen's University Belfast, where he was the first person in the UK to be given a personal chair in composition in 1966, before becoming Hamilton Harty Professor of Music in 1969. He was Stanley Hugh Badock Professor of Music at the University of Bristol from 1972 until his retirement in 1994. His works include a choral Passion, a Violin Concerto, three Symphonies, a Requiem, the oratorio Continuing Cities and an extensive amount of music for children, young people and community music making. He has also written six operas. He currently lives at Clifton in Bristol.