28.04.1848, Aarhus - 10.11.1909, Berlin
Ludvig Schytte (28 April 1848 in Aarhus – 10 November 1909 in Berlin) was a Danish composer, pianist, and teacher. Born in Aarhus, Denmark, Schytte originally trained as a pharmacist. He studied with Niels Gade and Edmund Neupert. In 1884, he travelled to Germany to study with Franz Liszt. Schytte lived and taught in Vienna between 1886 and 1907 and spent the last two years of his life teaching in Berlin. His daughter Anna Schytte was also a composer and pianist. Schytte composed a Piano Concerto in C-sharp minor, Opus 28, and a Sonata in B-flat, among numerous other piano works. He also wrote two operas: Hero (25 September 1898 in Copenhagen) and Der Mameluk (22 December 1903 in Vienna). His shorter works are still used today as educational studies for piano students.
28.04.1863, Vienna - 11.08.1940, Vienna
Alfred Zamara (28 April 1863 – 11 August 1940) was an Austrian composer and harpist. He was the son of Antonio Zamara (1823 or 1829 or 1831 or 1835 –1901) and was born in Vienna. Like his father, became professor of harp at the Vienna Conservatory and solo harpist at the Vienna Hofoper. He and his sister, Theresa, were both taught the harp by their father. Alfred Zamara wrote many salon pieces, made transcriptions for the harp, and edited François Joseph Naderman's Sieben Etuden; among his pupils was Joseph E. Schuëcker (1886–1938) from 1900 to 1901. ( Antonio Zamara had taught Joseph's father and uncle, Edmund Schuëcker (1860–1911) from 1871 to 1877 and Heinrich Schuëcker (1867–1913) from 1878 to 1884) The Zamaras were a Viennese family of harpists active in the musical life of Croatia in the 19th century. His father, Antonio Zamara, had been born in Italy but the family moved to Austria. His sister, Theresa, was a member of the Budapest Opera and later taught harp at the Vienna Conservatory. He collaborated with Viktor Léon to produce the opera Der Doppelgänger which was produced at the Theater am Gärtnerplatz in Munich in September 1886.
28.04.1870, Kaiserstuhl - 22.06.1926, Basel
Hermann Suter (28 April 1870 – 22 June 1926) was a Swiss composer and conductor.
28.04.1878, Benlloc - 05.03.1953, Castellón
Daniel Fortea i Guimerà (28 April 1878 in Benlloc, Spain – 5 March 1953 in Castellón de la Plana, Spain) was a Spanish guitarist, composer, and music educator.
28.04.1906, Basel - 26.05.1999, Basel
Paul Sacher (28 April 1906 – 26 May 1999) was a Swiss conductor, patron and billionaire businessman. At the time of his death Sacher was majority shareholder of pharmaceutical company Hoffmann-La Roche and was considered the third richest person in the world with an estimated net worth of US$13 billion. He founded and conducted the Basler Kammerorchester (1926–1987). He commissioned notable works of composers of the 20th century and premiered them with the chamber orchestra. While better known for his interest in new music, he was also devoted to music of baroque and classical eras; he founded the Schola Cantorum Basiliensis, institute for early music, in 1933.
28.04.1943, Merhavia - ,
Yoav Talmi (Hebrew: יואב תלמי; born April 28, 1943, is an Israeli conductor and composer.
28.04.1954, Cedar Rapids - ,
Michael Kevin Daugherty (born April 28, 1954) is an American composer, pianist, and teacher. He is influenced by popular culture, Romanticism, and Postmodernism. Daugherty's notable works include his Superman comic book-inspired Metropolis Symphony for Orchestra (1988–93), Dead Elvis for Solo Bassoon and Chamber Ensemble (1993), Jackie O (1997), Niagara Falls for Symphonic Band (1997), UFO for Solo Percussion and Orchestra (1999) and for Symphonic Band (2000), Bells for Stokowski from Philadelphia Stories for Orchestra (2001) and for Symphonic Band (2002), Fire and Blood for Solo Violin and Orchestra (2003) inspired by Diego Rivera and Frida Kahlo, Time Machine for Three Conductors and Orchestra (2003), Ghost Ranch for Orchestra (2005), Deus ex Machina for Piano and Orchestra (2007), Labyrinth of Love for Soprano and Chamber Winds (2012), American Gothic for Orchestra (2013), and Tales of Hemingway for Cello and Orchestra (2015). Daugherty has been described by The Times (London) as "a master icon maker" with a "maverick imagination, fearless structural sense and meticulous ear." Currently, Daugherty is Professor of Composition at the University of Michigan School of Music, Theatre & Dance in Ann Arbor, Michigan. Michael Daugherty's music is published by Peermusic Classical, Boosey & Hawkes, and since 2010, Michael Daugherty Music/Bill Holab Music.
28.04.1972, Tartu - ,
Helena Tulve (born 28 April 1972) is an Estonian composer. Born in Tartu, she studied composition at the Tallinn Secondary Music School under Alo Põldmäe and from 1989 to 1992 at the Estonian Academy of Music with Erkki-Sven Tüür, being the latter's sole student of composition thus far. In 1994 Tulve graduated with the Premier Prix from Jacques Charpentier's composition class at the Conservatoire Superieur de Paris. Between 1993 and 1996 she furthered her knowledge of Gregorian chant. She has also attended György Ligeti’s and Marco Stroppa’s summer courses. Tulve belongs to the younger generation of Estonian composers who, in contrast to the neo-classicist tradition of rhythm-centeredness, create music which focuses on sound and sonority. Tulve’s works give a fair idea of the richness and variety of her cultural experience: the French school of spectral music, IRCAM’s experimentalism, Kaija Saariaho and Giacinto Scelsi, echoes of Gregorian chant and Eastern musics. Deriving from her refined sound processing, Tulve’s approach to form is “fluid” – more process based than architectonic.