Born Today! 29.05.2025

William Jackson (29 May 1730 – 5 July 1803), referred to as Jackson of Exeter, was an English organist and composer.

Konstantin Petrovich Villebois (Вильбоа Константин Петрович) (1817–1882) was a Russian composer. The name Villebois (transliterated sometimes as Vilboa) is of French origin (Villebois). Vilboa was an autodidact who never received any musical education. He became a friend of Glinka around 1850. Vilboa wrote nearly 200 popular songs such as the duet "The seafarers" ("unfriendly is our sea.." - "Нелюдимо наше море..") recorded by Maxim Mikhailov. These songs remained popular, for instance being sung at home by Shostakovich's engineer father. Vilboa's song collection 100 Russian National Songs (Сто русских народных песен Saint Petersburg 1860) was an anthology of melodies collected by playwright Alexander Ostrovsky on a River Volga steamer in 1856. This collection was used by, among other composers, Rimsky-Korsakov in his By the gate a pine tree was swaying and other songs. Vilboa wrote three operas, but only one, Natasha, was staged in St. Petersburg, and left the repertoire after a few weeks.

Luca Fumagalli (born Inzago, May 29, 1837 - died Milan, June 5, 1908) was an Italian composer, pianist, and music educator. Fumagalli was born in what was then part of the Austrian Empire. He studied at the Milan Conservatory before traveling to Paris in 1860. He taught piano at the Philadelphia Conservatory and, later, in Milan. His opera Luigi XI was premiered at the Teatro della Pergola in Florence in 1875; he also composed a symphony titled Sinfonia Marinaresca and a number of virtuosic piano works. Fumagalli's brothers Carlo, Disma, Adolfo, and Polibio were all composers as well.

Hector Salomon (29 May 1838, Strasbourg – 28 June 1906, Paris) was a French composer. He was one of the Chefs du chant at the Paris Opera.

Émile Louis Fortuné Pessard (29 May 1843 – 10 February 1917) was a French composer. Pessard was born and died in Paris. He studied at the Conservatoire de Paris, where he won 1st prize in Harmony. In 1866 he won the Grand Prix de Rome with his cantata Dalila which was performed at the Paris Opera on 21 February 1867. From 1878 to 1880 he was inspector of singing at Paris Schools, in 1881 he became professor of Harmony at the Paris Conservatory. His students included Maurice Ravel, Jacques Ibert, William Molard, Albert Seitz and Justin Élie. After 1895 he was a critic and director. He composed many comic operas and operettas, as well as masses.

Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the post-romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works that incorporate Spanish folk music idioms and elements. his compositions, particularly those in his suite Iberia (1905–1908), are considered masterpieces and have influenced both classical music and Spanish nationalism in music. Isaac Albéniz was close to the Generation of '98. Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.

Rudolf Tobias (29 May [O.S. 17 May] 1873 – 29 October 1918) was the first Estonian professional composer, as well as a professional organist. He studied at the Saint Petersburg Conservatory. His compositions include among others piano works, string quartets and an oratorio, Des Jona Sendung (Jonah's Mission) (1908, revised and premiered 1909, later reconstructed by Vardo Rumessen).

Erich Wolfgang Korngold (German: [ˈeːʁɪç ˈvɔlfɡaŋ ˈkɔʁnɡɔlt]; May 29, 1897 – November 29, 1957) was an Austrian composer and conductor, who fled Europe in the mid-1930s and later adopted US nationality. A child prodigy, he became one of the most important and influential composers in Hollywood history. He was a noted pianist and composer of classical music, along with music for Hollywood films, and the first composer of international stature to write Hollywood scores. When he was 11, his ballet Der Schneemann (The Snowman) became a sensation in Vienna; his Second Piano Sonata, which he wrote at age 13, was played throughout Europe by Artur Schnabel. His one-act operas Violanta and Der Ring des Polykrates were premiered in Munich in 1916, conducted by Bruno Walter. At 23, his opera Die tote Stadt (The Dead City) premiered in Hamburg and Cologne. In 1921 he conducted the Hamburg Opera. During the 1920s he re-orchestrated, re-arranged and nearly re-composed several operettas by Johann Strauss II. By 1931 he was a professor of music at the Vienna State Academy. At the request of motion picture director Max Reinhardt, and due to the rise of the Nazi regime, Korngold moved to Hollywood in 1934 to write music for films. His first was Reinhardt's A Midsummer Night's Dream (1935). He subsequently wrote scores for such films as Captain Blood (1935), which helped boost the career of its starring newcomer, Errol Flynn. His score for Anthony Adverse (1936) won an Oscar; two years later he won another Oscar for The Adventures of Robin Hood (1938). Korngold scored 16 Hollywood films in all, and received two more nominations for Oscars. Along with Max Steiner and Alfred Newman, he is one of the founders of film music. Although his late-Romantic style of classical composition was no longer as popular when he died in 1957, his music underwent a resurgence of interest in the 1970s beginning with the release of the RCA Red Seal album The Sea Hawk: The Classic Film Scores of Erich Wolfgang Korngold (1972). This album, produced by his son George Korngold, was hugely popular and ignited interest in his other film music (and that of other classic film composers), as well as in his concert music, which often incorporates popular themes from his film scores (an example being the Violin Concerto in D, Op. 35, which incorporates themes from four of his motion picture scores and has become part of the standard repertoire).

Grigory Romanovich Ginzburg (Russian: Григо́рий Рома́нович Ги́нзбург; 29 May 1904 in Nizhny Novgorod – 5 December 1961 in Moscow) was a Soviet pianist.

Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; Greek: Γιάννης "Ιάννης" Κλέαρχου Ξενάκης, pronounced [ˈʝanis kseˈnacis]; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are Metastaseis (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as Psappha (1975) and Pléïades (1979); compositions that introduced spatialization by dispersing musicians among the audience, such as Terretektorh (1966); electronic works created using Xenakis's UPIC system; and the massive multimedia performances Xenakis called polytopes, that were a summa of his interests and skills. Among the numerous theoretical writings he authored, the book Formalized Music: Thought and Mathematics in Composition (French edition 1963, English translation 1971) is regarded as one of his most important publications. As an architect, Xenakis is primarily known for his early work under Le Corbusier: the priory of Sainte-Marie de La Tourette, on which the two collaborated, and the Philips Pavilion at the 1958 Brussels World's Fair (Expo 58), which Xenakis designed by himself.

Vyacheslav Aleksandrovich Ovchinnikov (Russian: Вячесла́в Алекса́ндрович Овчи́нников; 29 May 1936 in Voronezh, Soviet Union – 4 February 2019 in Moscow, Russia) was a Soviet and Russian composer.

Michael Fitzhardinge Berkeley, Baron Berkeley of Knighton, (born 29 May 1948) is an English composer, broadcaster on music and non-party political member of the House of Lords, speaking as an advocate for the arts, contemporary music and music education.

Robert Beaser (born May 29, 1954, Boston, Massachusetts) is an American composer.

Pascal Georges Dusapin (born 29 May 1955) is a French composer. His music is marked by its microtonality, tension, and energy. A pupil of Iannis Xenakis and Franco Donatoni and an admirer of Varèse, Dusapin studied at the University of Paris I and Paris VIII during the 1970s. His music is full of "romantic constraint". Despite being a pianist, he refused to compose for the piano until 1997. His melodies have a vocal quality, even in purely instrumental works. Dusapin has composed solo, chamber, orchestral, vocal, and choral works, as well as several operas, and has been honored with numerous prizes and awards.

Luca Mosca (born Milan, 29 May 1957) is an Italian composer. He is best known for his 2007 opera Signor Goldoni.

Aram Van Ballaert (29 May 1971) is a Belgian guitarist and composer who is active since 1988. His classical guitar background resulted in a series of concerts throughout Europe, Africa, and the Middle-East. Since 2012, Van Ballaert has been a composer for films and television.