Born Today! 14.11.2023

Johann Evangelist Brandl (14 November 1760 – 26 May 1837) was a German composer and music director.

Gaspare Luigi Pacifico Spontini (14 November 1774 – 24 January 1851) was an Italian opera composer and conductor from the classical era.

Johann Nepomuk Hummel (14 November 1778 – 17 October 1837) was an Austrian composer and virtuoso pianist. His music reflects the transition from the Classical to the Romantic musical era. He was a pupil of Mozart, Salieri and Clementi. He also knew Beethoven and Schubert.

Mathurin Auguste Balthasar Barbereau (14 November 1799 – 14 July 1879) was a French composer and music theorist. Barberau was born in Paris. He entered the Conservatoire de Paris in 1810 and received numerous prizes. He was awarded with the Prix de Rome in 1824 for his cantata Agnes Sorel with text by Pierre-Ange Vieillard. He conducted many orchestras in several theatres, especially the Théâtre Italien between 1836–38. Many times he replaced Anton Reicha, who had been his teacher in the class of composition of the Conservatory. Among his disciples are Ambroise Thomas, Ernest Guiraud, and Charles Delioux. He wrote the score of the opera Les Sybarites de Florence, and took part in a variety of symphonies and concert works. But the real contribution of Barbereau is his theoretical work, among them his Traité d'harmonie théoretique et pratique (1843–45), considered the most important scientific work published hitherto on this subject. After this work he published a curious Étude sur l'origine du système musical (Paris, 1852), which gave rise to great controversy. Auguste Barbereau died suddenly in an omnibus in Paris, after he had been teaching at the Conservatory.

Heinrich Ludwig Egmont Dorn (14 November 1800 or 1804 – 10 January 1892) was a German conductor, composer, teacher, and journalist. He was born in Königsberg, where he studied piano, singing, and composition. Later, he studied in Berlin with Ludwig Berger, Bernhard Klein, and Carl Friedrich Zelter. His first opera, Rolands Knappen, was produced in 1826, and was a success. Around this time, he became co-editor of the Berliner allgemeine Musikzeitung. Dorn became well known as a conductor of opera, and held theatre posts at Königsberg (1828), Leipzig (1829–32), Hamburg (1832), Riga (1834–43), and Cologne (1844–8). In 1849, he became co-conductor, with Wilhelm Taubert, of the Berlin Hofoper - a post he held until 1869. Dorn taught counterpoint to the young Robert Schumann, and was a friend of Franz Liszt. He was a harsh critic of Richard Wagner, but was persuaded to conduct the opera Tannhäuser, in 1855. He also wrote an opera Die Nibelungen, based on the Nibelungenlied, in 1853, many years before Wagner completed Der Ring des Nibelungen. Dorn died in Berlin in 1892.

Fanny Mendelssohn (14 November 1805 – 14 May 1847) was a German composer and pianist of the early Romantic era who was also known as Fanny (Cäcilie) Mendelssohn Bartholdy and, after her marriage, Fanny Hensel (as well as Fanny Mendelssohn Hensel). Her compositions include a piano trio, a piano quartet, an orchestral overture, four cantatas, more than 125 pieces for the piano and over 250 lieder, most of which were unpublished in her lifetime. Although lauded for her piano technique, she rarely gave public performances outside her family circle. She grew up in Berlin and received a thorough musical education from teachers including her mother, as well as the composers Ludwig Berger and Carl Friedrich Zelter. Her younger brother Felix Mendelssohn, also a composer and pianist, shared the same education and the two developed a close relationship. Owing to her family's reservations and to social conventions of the time about the roles of women, six of her songs were published under her brother's name in his Opus 8 and 9 collections. In 1829, she married artist Wilhelm Hensel and, in 1830, they had their only child, Sebastian Hensel. In 1846, despite the continuing ambivalence of her family towards her musical ambitions, Fanny Hensel published a collection of songs as her Opus 1. She died of a stroke in 1847, aged 41. Since the 1990s, her life and works have been the subject of more detailed research. Her Easter Sonata was inaccurately credited to her brother in 1970, before new analysis of documents in 2010 corrected the attribution. The Fanny & Felix Mendelssohn Museum opened on 29 May 2018 in Hamburg, Germany.

Geoffrey Turton Shaw (14 November 1879 – 14 April 1943) was an English composer and musician specialising in Anglican church music. After Cambridge, where he was an organ scholar, he became a schoolmaster, then a schools inspector, while producing a stream of compositions, arrangements, and published collections of music. He was awarded the Lambeth degree of Doctor of Music. Shaw worked with his brother Martin Shaw, also a composer, while his son Sebastian was a Shakespearean actor who is remembered for the Star Wars role of Anakin Skywalker.

Bernhard Paumgartner (born 14 November 1887 in Vienna; died 27 July 1971 in Salzburg) was an Austrian conductor, composer and musicologist. He is most famous for being Herbert von Karajan's composition teacher at the Mozarteum in Salzburg, where he recognized his pupil's potential gifts for conducting. Karajan would become a notable conductor. He also taught Vittorio Negri.

Niels Erling Emmanuel Brene (14 November 1896 – 17 May 1980) was a Danish composer. He was born and died in Copenhagen. In 1948, he won a bronze medal in the art competitions of the Olympic Games for his orchestral composition Vigeur (Vigour).Erling Brene was an accomplished composer and music teacher from 1950–70 at The Ellebjerg School in Copenhagen.

Aaron Copland (, KOHP-lənd; November 14, 1900 – December 2, 1990) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as the "Dean of American Composers". The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as "populist" and which the composer labeled his "vernacular" style. Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores. After some initial studies with composer Rubin Goldmark, Copland traveled to Paris, where he first studied with Isidor Philipp and Paul Vidal, then with noted pedagogue Nadia Boulanger. He studied three years with Boulanger, whose eclectic approach to music inspired his own broad taste. Determined upon his return to the U.S. to make his way as a full-time composer, Copland gave lecture-recitals, wrote works on commission and did some teaching and writing. However, he found that composing orchestral music in the modernist style, which he had adopted while studying abroad, was a financially contradictory approach, particularly in light of the Great Depression. He shifted in the mid-1930s to a more accessible musical style which mirrored the German idea of Gebrauchsmusik ("music for use"), music that could serve utilitarian and artistic purposes. During the Depression years, he traveled extensively to Europe, Africa, and Mexico, formed an important friendship with Mexican composer Carlos Chávez and began composing his signature works. During the late 1940s, Copland became aware that Stravinsky and other fellow composers had begun to study Arnold Schoenberg's use of twelve-tone (serial) techniques. After he had been exposed to the works of French composer Pierre Boulez, he incorporated serial techniques into his Piano Quartet (1950), Piano Fantasy (1957), Connotations for orchestra (1961) and Inscape for orchestra (1967). Unlike Schoenberg, Copland used his tone rows in much the same fashion as his tonal material—as sources for melodies and harmonies, rather than as complete statements in their own right, except for crucial events from a structural point of view. From the 1960s onward, Copland's activities turned more from composing to conducting. He became a frequent guest conductor of orchestras in the U.S. and the UK and made a series of recordings of his music, primarily for Columbia Records.

Gerald Wilfred Cockshott (14 November 1915 – 3 February 1979) was an English composer, librettist, writer and teacher.

Narciso Yepes (14 November 1927 – 3 May 1997) was a Spanish guitarist. He is considered one of the finest virtuoso classical guitarists of the twentieth century.

Miklós Maros (born 14 November 1943) is a Hungarian composer. He was born in Pécs, the son of composer Rudolf Maros and violinist Klára Molnár. He studied at the Béla Bartók Conservatory of Budapest with Rezsö Sugár and at the Ferenc Liszt Music Academy with Ferenc Szabó, and continued his studies in Stockholm with Ingvar Lidholm and György Ligeti.From 1971 to 1973, Maros was composition teacher at the Stockholm Secondary School of Music. From 1971 to 1978, he taught at the Studio for Electronic Music (EMS) in Stockholm, and from 1976 to 1980 he taught at Stockholm Musikcollege. From 1980 to 1981, he was a guest of the Berlin Artists Program of the German Academic Exchange Service in West Berlin. In 1972 he and his wife, singer Ilona Maros, formed the Maros Ensemble for the performance of contemporary music. In 1990 Maros received the Lifetime-Artists’ Award of the Swedish Government.

Richard John Mills DMus BA(Hons), (born 14 November 1949) is an Australian conductor and composer. He is currently the artistic director of Victorian Opera, and formerly artistic director of the West Australian Opera and artistic consultant with Orchestra Victoria. He was commissioned by the Victoria State Opera to write his opera Summer of the Seventeenth Doll (1996) and by Opera Australia to write the opera Batavia (2001).

Nicholas Lens Noorenbergh (born 1957) is a Belgian composer of contemporary music, particularly known for his operas. His work is published by Schott Music and Mute Song and distributed by Universal Music Group and Sony BMG. In 2020 Nicholas Lens signed with Deutsche Grammophon. Lens lives alternately in Brussels and Venice. He has one daughter, the Berlin-based painter Clara-Lane Lens

Chanda Dancy (born Chanda Yvette Dancy; November 14, 1978) is an American film composer, violinist, keyboardist, and singer.The founder and president of CYD Music, Dancy is an artist and composer for film and other multimedia. She is also a member of the rock band Modern Time Machines. She was a Fellow of the 2009 Sundance Film Composers Lab, a winner of the 2002 BMI Pete Carpenter Fellowship for Aspiring Film Composers and the 2004 APM/YMF Music Business Award where she was honored alongside great film composer, John Williams. Dancy has scored several films, including the official Sundance Film Festival selection MVP, the critically acclaimed documentary and official selection of the Vienna International Film Festival, What Are We Waiting For?, and the award winning feature Chandler Hall. Music by Chanda has been heard all over the world in such festivals as Cannes Film Festival, Jackson Hole Film Festival, Sapporo Short Film Festival, Slamdance, Sundance and Pangea Day 2008. Dancy has composed music for the role playing games Arabian Lords and Tariq's Treasures by BreakAway Games, as well as the sound implementation for the PC role playing game Neverwinter Nights 2 by Obsidian Entertainment and Atari.