Born Today! 28.01.2024

Antonio Bartolomeo Bruni (28 January 1757 – 6 August 1821) was an Italian violinist, composer and conductor. Bruni was born and died in Cuneo, Italy. During most of his life, he resided, played and composed in Paris. At the height of the French 'terror', c.1791, Bruni authored Un Inventaire sous la terreur which lists musical instruments recovered from noble households. This inventory was published by J. Gallay, editor (Paris: Georges Chamerot, 1890). In the scholarly work The Hurdy-Gurdy in Eighteenth-Century France by Robert E. Green (Indiana University Press, 1995), where the Bruni text is footnoted, Green says of Bruni's inventory "from 111 noble households (it) lists six which possessed vielles (hurdy-gurdies)." p. 17. In the fictional novel The Piano Tuner by Daniel Mason this affair is again referred to thus: "A Temporary Commission of Arts was set up and ... Bruni ... was named Director of the Inventory. For fourteen months he collected the instruments of the condemned. In all, over three hundred were gathered, and each carries its own tragic tale." Mason goes on to say that 64 were pianofortes.

Louis Joseph Ferdinand Herold (28 January 1791 – 19 January 1833), better known as Ferdinand Hérold (pronounced [fɛʁdinɑ̃ eʁɔld]), was a French composer. He was celebrated in his lifetime for his operas, of which he composed more than twenty, but he also wrote ballet music, works for piano and choral pieces. He is best known today for the ballet La Fille mal gardée and the overture to the opera Zampa. Born in Paris to a musical family, Hérold trained at the Paris Conservatoire and won France's premier musical prize, the Prix de Rome in 1812. After a time in Italy he returned to Paris and worked first at the Théâtre Italien and then at the Opéra. He wrote several ballets for the latter, but was best known as a composer of opéra comique. Some of them particularly in his early days, were hampered by poor librettos, but later he had more successes than failures, and his last two operas, Zampa (1831) and Le Pré aux clercs (The Clerk's Meadow, 1832) were immensely popular, and remained in the repertory in France and elsewhere for decades after his early death from tuberculosis in 1833. As a ballet composer Hérold was a pioneer, raising the standard of ballet scores from being simple arrangements of popular tunes to well-orchestrated music illustrating the action of the ballets. His operas influenced later composers from Bizet and Offenbach to Wagner and Smetana.

Franz Wüllner (28 January 1832 – 7 September 1902) was a German composer and conductor. He led the premieres of Wagner's Das Rheingold and Die Walküre, but was much criticized by Wagner himself, who greatly preferred the more celebrated conductors Hans von Bülow and Hermann Levi.

Viktor (or Victor) Ernst Nessler (28 January 1841 – 28 May 1890) was an Alsatian composer who worked mainly in Leipzig. Nessler was born at Baldenheim near Sélestat, Alsace. At Strasbourg he began his university career with the study of theology, but he concluded it with the production of a light opera entitled Fleurette (1864). To complete his knowledge of music Nessler went to Leipzig to study with Moritz Hauptmann. In 1870, he was appointed chorus master and later conductor of the Caroltheater, Leipzig.His musically conservative, mock-Gothic, fairy-tale operas, notably Der Rattenfänger von Hameln (The Pied Piper of Hamelin) (1879) and Der Trompeter von Säkkingen (1884), based on the famous poem by Joseph Viktor von Scheffel, were very popular in the 19th century. The great conductor Artur Nikisch composed an orchestral arrangement of material from Der Trompeter von Säkkingen. Besides a number of other operas, Nessler wrote many songs and choral works; but it is with the Trompeter von Säkkingen that his name is most closely associated. In 1895 a monument to him by the sculptor Alfred Marzolff was erected in Strasbourg, the place of his death.

Julián Carrillo Trujillo (January 28, 1875 – September 9, 1965) was a Mexican composer, conductor, violinist and music theorist, famous for developing a theory of microtonal music which he dubbed "The Thirteenth Sound" (Sonido 13).

Walter Kollo (28 January 1878 – 30 September 1940) was a German composer of operettas, Possen mit Gesang, and Singspiele as well as popular songs. He was also a conductor and a music publisher. Kollo was born in Neidenburg, East Prussia. His best known work, the operetta Wie einst im Mai (1913), was the basis of a 1917 Sigmund Romberg operetta in America entitled Maytime. A merchant's son, he was expected to take his father's trade, but devoted himself to the study of music in the Königsberg Sondershausen music conservatory with his mother's help. He became a theater conductor for a brief time in Königsberg before going to Berlin in 1899. In Berlin, he turned towards popular / light music, and from 1908, wrote music for the popular musical theater. In 1910 with Willy Bredschneider he composed his first great success, Große Rosinen, produced on New Year's Eve 1911. Somewhat prolifically, he continued composing musical comedies, farces and operettas, with including Wie einst im Mai (1913; with the songs Es war in Schöneberg im Monat Mai and Die Männer sind alle Verbrecher), Der Juxbaron (1916), Drei alte Schachteln (1917) and Die Frau ohne Kuß (1924). Kollo emerged as a composer of revues and sound films in 1915, was one of the founders of the performer's rights organization GEMA, and had his own music publishing company. Later he made successful concert tours as a conductor of his own works. With Jean Gilbert and Paul Lincke, Kollo was a founder of the Berliner Operette. His son Willi Kollo was also a composer of light music and his grandson is the Wagnerian tenor René Kollo. Walter Kollo died in Berlin.

Karel Boleslav Jirák (né Karel Bohuslav Jirák; January 28, 1891, Prague, Bohemia - January 30, 1972, Chicago, Illinois, U.S.) was a Czechoslovak composer and conductor. Jirák became a pupil of Josef Bohuslav Foerster and Vítězslav Novák at the Charles University and at music academy in Prague. From 1915-18 he was the Kapellmeister at the Hamburg Opera and worked from 1918 to 1919 as a conductor at the National Theatre in Brno and Ostrava.From 1920-30, he was a composition teacher at the Prague Conservatory, and principal conductor of the Czechoslovak Radio Orchestra until 1945.In 1947, he emigrated to the United States, where from 1948 to 1967 a professor at Roosevelt University, Chicago, and, in 1967, a composition teacher at the Conservatory college in Chicago. He remained in this position until 1971.Jirák's opera was Apolonius z Tyany (Apollonius of Tyana, 1912–1913), which was initially ignored by Prague's National Theatre and later accepted under the title Žena a Bůh (The Woman and the God, 1936). He wrote six symphonies and several symphonic variations.In 1952, he wrote a Symphonic Scherzo for volume. He also wrote many suites and overtures, numerous pieces of chamber music, many preludes and a Suite for organ, a Requiem, choruses, and song cycles. He was a popular and renowned musical theorist.

Yuliy Serhiyovych Meitus (Ukrainian: Юлій Сергійович Мейтус; 28 January 1903, Yelysavethrad – 2 April 1997, Kyiv), was a Soviet and Ukrainian composer, considered the founder of the Ukrainian Soviet opera. His early style was modernistic, later he used more traditional neo-Romantic idioms. Meitus was born to a Jewish family. In 1919 he graduated from the School of Music in piano from Heinrich Neuhaus, and from the Kharkiv Institute of Music and Drama in the composition class of C. Bogatyrenko in 1931. During World War II he was evacuated to the Turkmen SSR. Meitus made his debut in film in 1932. He is famous for his 18 operas, a number of orchestral works and about 300 songs on Ukrainian and Russian classical poems, among them Stolen Happiness, the epic Yaroslav the Wise, Daughter of the Wind, Leila and Majnun, The Young Guard and Abakan. He was buried in the Baikove Cemetery.

Ángel Arteaga de la Guía (Campo de Criptana, Ciudad Real, Castilla-La Mancha, 28 January 1928 – Madrid, 17 January 1984) was a Spanish musician and composer.

Luis de Pablo Costales (28 January 1930 – 10 October 2021) was a Spanish composer belonging to the generation that Cristóbal Halffter named the Generación del 51. Mostly self-taught as a composer and influenced by Maurice Ohana and Max Deutsch, he co-founded ensembles for contemporary music, and organised concert series for it in Madrid. He published translations of notable texts about composers of the Second Viennese School, such as Hans Heinz Stuckenschmidt's biography of Arnold Schoenberg and the publications of Anton Webern. He wrote music in many genres, including film scores such as Erice's The Spirit of the Beehive, and operas including La señorita Cristina. He taught composition not only in Spain, but also in the U.S. and Canada. Among his awards is the Premio Nacional de Música.

Leonid Oleksandrovych Hrabovsky (also Hrabovsky or Hrabovs'ky, Ukrainian: Леонід Олександрович Грабо́вський; Russian: Леони́д Алекса́ндрович Грабо́вский, Leonid Alexandrovitch Grabovsky) (born 28 January 1935) is a contemporary Ukrainian composer, now living in the United States.

Sir John Kenneth Tavener (28 January 1944 – 12 November 2013) was an English composer, known for his extensive output of choral religious works. Among his best known works are The Lamb (1982), The Protecting Veil (1988), and Song for Athene (1993). Tavener first came to prominence with his cantata The Whale, premiered in 1968. Then aged 24, he was described by The Guardian as "the musical discovery of the year", while The Times said he was "among the very best creative talents of his generation". During his career he became one of the best known and popular composers of his generation, most particularly for The Protecting Veil, which as recorded by cellist Steven Isserlis became a best-selling album, and Song for Athene which was sung at the funeral of Princess Diana. The Lamb featured in the soundtrack for Paolo Sorrentino's film The Great Beauty. Tavener wrote the composition A New Beginning to commemorate the Millennium celebrations on New Year's Eve, 1999, during the opening of the Millennium Dome in London. Tavener was knighted in 2000 for his services to music and won an Ivor Novello Award, and was awarded an Honorary Fellowship by Sarum College in 2001.

Mark van Platen (born 1955) is a Dutch composer, conductor, organist and pianist. In 2004, he was presented a Gouden Kalf (Dutch equivalent of the Oscars) for his music score for the Dutch film Kees De Jongen.

Richard Danielpour (born January 28, 1956) is a music professor at the University of California, Los Angeles.

Ádám György ([ˈɟørɟ ˈaːdaːm]; born 28 January 1982) is a Hungarian pianist. György started his music studies at the age of four. While studying under Katalin Halmagyi, he was accepted to the Béla Bartók Conservatory of Budapest in 1994. György won the National Youth Piano Competition in 1998 and the Hungary's Pianist 2000 award two years later. From 2000 to 2006, Ádám attended the Franz Liszt Academy of Music in Budapest, where he studied under György Nador and Balázs Reti. Currently, he is pursuing graduate studies at the Franz Liszt Academy, and he is director of the Adam György Castle Academy. On 8 June 2012, he performed at the opening ceremony of the UEFA Euro 2012 in Warsaw, Poland. On 10 June 2023, György performed the piano version of the UEFA Champions League Anthem prior to the final in Istanbul.

Eldar Djangirov (born January 28, 1987), also known as Eldar, is an American jazz pianist. He was born in Bishkek, Kyrgyz SSR, Soviet Union to Tatiana, a piano teacher, and Emil, a professor of mechanical engineering, and is of Volga Tatar and Russian descent. He grew up in Kansas City, MO from the age of 10 and also lived in San Diego, California during his teenage years. As of 2007, he resides in New York City.