Born Today! 30.11.2023

Andreas Werckmeister (November 30, 1645 – October 26, 1706) was a German organist, music theorist, and composer of the Baroque era. He was amongst the earliest advocates of equal temperament, and through this advocacy was highly influential to the harmonic basis underlying almost all of subsequent Western music.

Joachim Albertini or Gioacchino Albertini (30 November 1748, Pesaro – 27 March 1812, Warsaw) was an Italian-born composer, who spent most of his life in Poland. His opera Don Juan albo Ukarany libertyn (Don Giovanni or The Libertine Penalized) was performed in the 1780s with both Italian and Polish libretti.

Johann Baptist Schenk (30 November 1753 – 29 December 1836) was an Austrian composer and teacher. Schenk was born in Wiener Neustadt. While still a boy he composed songs, dances and symphonies, and became a proficient violinist and keyboard and wind instrument player. In 1773 he went to Vienna to study with Georg Christoph Wagenseil. Beginning in 1777 he was composing religious works for Saint Stephen's Cathedral. In the 1780s he became a prolific composer of incidental music for plays and singspiele. His best-known singspiel is Der Dorfbarbier, which premiered in 1796. His other compositions include numerous cantatas, ten symphonies, several concertos (including a well-known one for harp), and five string quartets. Mozart was a good friend of Schenk and Beethoven studied under him in 1793. In around 1823, he composed a variation on a waltz by Anton Diabelli (D 718), being one of the 51 composers who contributed to Vaterländischer Künstlerverein. He died in Vienna.

Johann Baptist Schenk (30 November 1753 – 29 December 1836) was an Austrian composer and teacher. Schenk was born in Wiener Neustadt. While still a boy he composed songs, dances and symphonies, and became a proficient violinist and keyboard and wind instrument player. In 1773 he went to Vienna to study with Georg Christoph Wagenseil. Beginning in 1777 he was composing religious works for Saint Stephen's Cathedral. In the 1780s he became a prolific composer of incidental music for plays and singspiele. His best-known singspiel is Der Dorfbarbier, which premiered in 1796. His other compositions include numerous cantatas, ten symphonies, several concertos (including a well-known one for harp), and five string quartets. Mozart was a good friend of Schenk and Beethoven studied under him in 1793. In around 1823, he composed a variation on a waltz by Anton Diabelli (D 718), being one of the 51 composers who contributed to Vaterländischer Künstlerverein. He died in Vienna.

Johann Baptist Schenk (30 November 1753 – 29 December 1836) was an Austrian composer and teacher. Schenk was born in Wiener Neustadt. While still a boy he composed songs, dances and symphonies, and became a proficient violinist and keyboard and wind instrument player. In 1773 he went to Vienna to study with Georg Christoph Wagenseil. Beginning in 1777 he was composing religious works for Saint Stephen's Cathedral. In the 1780s he became a prolific composer of incidental music for plays and singspiele. His best-known singspiel is Der Dorfbarbier, which premiered in 1796. His other compositions include numerous cantatas, ten symphonies, several concertos (including a well-known one for harp), and five string quartets. Mozart was a good friend of Schenk and Beethoven studied under him in 1793. In around 1823, he composed a variation on a waltz by Anton Diabelli (D 718), being one of the 51 composers who contributed to Vaterländischer Künstlerverein. He died in Vienna.

Johann Baptist Schenk (30 November 1753 – 29 December 1836) was an Austrian composer and teacher. Schenk was born in Wiener Neustadt. While still a boy he composed songs, dances and symphonies, and became a proficient violinist and keyboard and wind instrument player. In 1773 he went to Vienna to study with Georg Christoph Wagenseil. Beginning in 1777 he was composing religious works for Saint Stephen's Cathedral. In the 1780s he became a prolific composer of incidental music for plays and singspiele. His best-known singspiel is Der Dorfbarbier, which premiered in 1796. His other compositions include numerous cantatas, ten symphonies, several concertos (including a well-known one for harp), and five string quartets. Mozart was a good friend of Schenk and Beethoven studied under him in 1793. In around 1823, he composed a variation on a waltz by Anton Diabelli (D 718), being one of the 51 composers who contributed to Vaterländischer Künstlerverein. He died in Vienna.

Johann Carl Gottfried Loewe (German: [ˈløːvə]; 30 November 1796 – 20 April 1869), usually called Carl Loewe (sometimes seen as Karl Loewe), was a German composer, tenor singer and conductor. In his lifetime, his songs ("Balladen") were well enough known for some to call him the "Schubert of North Germany", and Hugo Wolf came to admire his work. He is less known today, but his ballads and songs, which number over 400, are occasionally performed.

Carl Maria von Bocklet (30 November 1801 – 15 July 1881) was a composer, pianist and teacher of music. Bocklet was born in Prague. He studied with Bedřich Diviš Weber and in 1821 he moved to Vienna, where he "created a great stir...through his interesting free fantasias on the piano forte." In Vienna, Eduard Marxsen was one of his notable students. (See: List of music students by teacher: A to B#Carl Maria von Bocklet.) Ludwig van Beethoven wrote letters of introduction for him, and he became a close friend of Franz Schubert; more than likely, he was influential to Frédéric Chopin. He was also admired by Franz Liszt as the two collaborated on concerts together. In 1828 he was, with Ignaz Schuppanzigh and Joseph Linke, the first performer of Schubert's two piano trios (1827).As Beethoven's letter of reference to Baron Nikolaus Zmeskall (1817?) testifies, von Bocklet was also a capable player of the violin.Among his own compositions is a variation for Part II of Diabelli's Waltz of the Vaterländischer Künstlerverein. Carl Maria von Bocklet died in Vienna, aged 79.

Charles-Valentin Alkan (French: [ʃaʁl valɑ̃tɛ̃ alkɑ̃]; 30 November 1813 – 29 March 1888) was a French composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life. Alkan earned many awards at the Conservatoire de Paris, which he entered before he was six. His career in the salons and concert halls of Paris was marked by his occasional long withdrawals from public performance, for personal reasons. Although he had a wide circle of friends and acquaintances in the Parisian artistic world, including Eugène Delacroix and George Sand, from 1848 he began to adopt a reclusive life style, while continuing with his compositions – virtually all of which are for the keyboard. During this period he published, among other works, his collections of large-scale studies in all the major keys (Op. 35) and all the minor keys (Op. 39). The latter includes his Symphony for Solo Piano (Op. 39, nos. 4–7) and Concerto for Solo Piano (Op. 39, nos. 8–10), which are often considered among his masterpieces and are of great musical and technical complexity. Alkan emerged from self-imposed retirement in the 1870s to give a series of recitals that were attended by a new generation of French musicians. Alkan's attachment to his Jewish origins is displayed both in his life and his work. He was the first composer to incorporate Jewish melodies in art music. Fluent in Hebrew and Greek, he devoted much time to a complete new translation of the Bible into French. This work, like many of his musical compositions, is now lost. Alkan never married, but his presumed son Élie-Miriam Delaborde was, like Alkan, a virtuoso performer on both the piano and the pedal piano, and edited a number of the elder composer's works. Following his death (which according to persistent but unfounded legend was caused by a falling bookcase), Alkan's music became neglected, supported by only a few musicians including Ferruccio Busoni, Egon Petri and Kaikhosru Sorabji. From the late 1960s onwards, led by Raymond Lewenthal and Ronald Smith, many pianists have recorded his music and brought it back into the repertoire.

August Friedrich Martin Klughardt (30 November 1847 – 3 August 1902) was a German composer and conductor.

Ludwig Wilhelm Andreas Maria Thuille (Bozen, 30 November 1861 – 5 February 1907) was an Austrian composer and teacher, numbered for a while among the leading operatic composers of the so-called Munich School of composers, whose most famous representative was Richard Strauss.

Walter Rabl (30 November 1873 in Vienna – 11 July 1940 in Klopein, Klopeiner See/Carinthia) was a Viennese composer, conductor, and teacher of vocal music. Largely forgotten today, Rabl left only a small number of works, all of them early ones, from the twilight of the Romantic era. At the age of 30 he stopped composing entirely and devoted himself to conducting and vocal coaching the rest of his life.

Johann Nepomuk David (30 November 1895 – 22 December 1977) was an Austrian composer.

Hans Krása (30 November 1899 – 17 October 1944) was a Czech composer, murdered during the Holocaust at Auschwitz. He helped to organize cultural life in Theresienstadt concentration camp.

Louise-Marie Simon (30 November 1903 – 7 March 1990), pen name Claude Arrieu, was a prolific French composer. She wrote hundreds of works in varying formats, including stage works, concert works, and movie scores. She was also a teacher, and worked as a producer and assistant head of sound effects at French Radio.

Louise-Marie Simon (30 November 1903 – 7 March 1990), pen name Claude Arrieu, was a prolific French composer. She wrote hundreds of works in varying formats, including stage works, concert works, and movie scores. She was also a teacher, and worked as a producer and assistant head of sound effects at French Radio.

Klaus Huber (30 November 1924 – 2 October 2017) was a Swiss composer and academic based in Basel and Freiburg. Among his students were Brian Ferneyhough, Michael Jarrell, Younghi Pagh-Paan, Toshio Hosokawa, Wolfgang Rihm, and Kaija Saariaho. He received the Ernst von Siemens Music Prize in 2009, among other awards.

Younghi Pagh-Paan (born 1945) is a South Korean composer.

Kris Defoort is a Belgian avant-garde jazz pianist and composer. He was born on 30 November 1959 in Bruges. He also teaches at the Brussels conservatory. His brother is Bart Defoort (saxophonist and composer). He entered in 1978 the Antwerp conservatory to study early music and recorder. He graduated 4 years later and he then decided to study contemporary music and jazz at the Liège conservatory. Frederic Rzewski, Henri Pousseur and Garrett List were among his teachers. In 1986 Defoort released his first recording with his quintet Diva Smiles. The next year, he went to New York to study at New York Long Island University, Brooklyn. He recorded there with Vincent Herring and Jack DeJohnette. On his return in 1991, he founded his own ensemble named K.D.'s Pretty Big Basement Party. The following year, he recorded the first CD for De Werf label (based in Bruges) with K. D.'s Basement Party. They toured in France, Belgium and the Netherlands in 1991 and then released a CD called "Sketches of Belgium" the next year, a reference to Miles Davis's "Sketches of Spain". The album, the first edited by De Werf, included an instrumental cover of Sting's Roxanne as well as two songs written by Thelonious Monk. In 1995 Defoort composed (with Fabrizio Cassol) the Variations on a Love Supreme. Defoort took part in the Octurn project in 1996 (he had already composed their 1994 album) and began to play with Mark Turner. A year later he recorded with Aka Moon on Elohim. He then formed a new ensemble (Dreamtime). He also has his own quartet with Mark Turner (tenor saxophone), Nicolas Thys (bass guitar and double bass) and Jim Black (drums).

Edwin Orion Brownell (born November 30, 1964 in Ottawa, Ontario) is a Canadian musician and author. He is a neo-classical composer and concert pianist whose original music has been described as highly melodic; exhibiting an improvisational blues influence over a classical foundation.