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Born Today! 25.10.2023

Georg Gebel
25.10.1709, Brzeg - 24.09.1753, Rudolstadt

Georg Gebel (25 October 1709 – 24 September 1753) was a German musician and composer. Gebel was born in Brieg, Silesia (present-day Brzeg, Poland) to Georg Gebel the Elder, also a musician and composer. He studied music under his father, and in 1729 became second organist at the church of St. Mary Magdalene in Breslau (present-day Wrocław), as well as Kapellmeister to the Duke of Oels. He joined Heinrich von Brühl's orchestra in Dresden in 1735, where he met Pantaleon Hebenstreit, the inventor of the pantalon, and learned to play that instrument. In 1747 he was appointed Kapellmeister to John Frederick, Prince of Schwarzburg-Rudolstadt. He died in Rudolstadt in 1753. Gebel was a prolific composer. While in Breslau, he wrote a variety of instrumental and vocal music, and while in Rudolstadt, wrote 12 operas, two Passions, two Christmas cantatas, sets of cantatas for several years, more than 100 orchestral symphonies, partitas, concertos, and so on.

Camillo Sivori
25.10.1815, Genoa - 19.02.1894, Genoa

Ernesto Camillo Sivori, (June 6, 1817 – February 18, 1894) was an Italian virtuoso violinist and composer. Born in Genoa, he was the only known pupil of Niccolò Paganini. He also studied with Antonio Restano (1790-1885), Giacomo Costa (1760s or 70s-~1865?) and Agostino Dellepiane.From 1827 Sivori began the career of a travelling virtuoso, which lasted almost without interruption until 1864. On November 18, 1846 he performed at the Howard Athenaeum in Boston, where he played Il Campanello and Carnival of Venice. He played Mendelssohn's concerto for the first time in England in 1846, and was in England again in the seasons of 1851 and 1864. In 1864, he formed a permanent trio with cellist Alfredo Piatti and pianist Charlotte Tardieu.Camilo Sivori also collaborated with Giuseppe Verdi. In 1893 Verdi heard Sivori performed at his private music soiree and noted Sivori's impeccable technique, agility and musicianship. Sivori's performances ideas were directly influenced by Opera characters. His violin techniques, in many instances were executed to impersonate human sounds. "Le Stregghe" is one of his best examples in which his unique ability to create such lively, almost cinematographic effects is achieved. Sivori understood that he was the only violinist alive (in the late 1800s) who could immortalize Paganini's art of violin playing and unique Operatic interpretations. The school of violin playing was rapidly changing and Paganini's art was rapidly forgotten. He lived for many years in Paris, and died in Genoa on February 19, 1894.He collaborated with composers of his day, including Franz Liszt. He played the first performance of Luigi Cherubini's "Requiem" in E minor. He owned many valuable instruments, including violins by Amati, Antonio Stradivari, Carlo Bergonzi, Gaetano Chiocchi, and Jean-Baptiste Vuillaume. Sivori's favourite violin was the Vuillaume violin, which he received as a gift from Paganini. It was an impeccably close copy of Paganini's famous Cannone Guarnerius. This violin is owned by the Musei Di Genova and displayed in their Palazzo Tursi. Sivori was known to adapt many peculiar pieces such that he could play them, and many of these pieces, once thought absurd, have now become quite popular. The best example of this is Giovanni Bottesini's Gran Duo Concertante, which was a double concerto originally written for two double basses, alternating the melody. Sivori changed it from two double basses to a violin and a double bass, alternating parts and sometimes playing together in the same octave.

Georges Bizet
25.10.1838, Rue Louise-Émilie-de-La-Tour-d'Auvergne - 03.06.1875, Bougival

Georges Bizet (né Alexandre César Léopold Bizet; 25 October 1838 – 3 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful. After the Franco-Prussian War of 1870–1871, during which Bizet served in the National Guard, he had little success with his one-act opera Djamileh, though an orchestral suite derived from his incidental music to Alphonse Daudet's play L'Arlésienne was instantly popular. The production of his final opera, Carmen, was delayed because of fears that its themes of betrayal and murder would offend audiences. After its premiere on 3 March 1875, Bizet was convinced that the work was a failure; he died of a heart attack three months later, unaware that it would prove a spectacular and enduring success. Bizet's marriage to Geneviève Halévy was intermittently happy and produced one son. After his death, his work, apart from Carmen, was generally neglected. Manuscripts were given away or lost, and published versions of his works were frequently revised and adapted by other hands. He founded no school and had no obvious disciples or successors. After years of neglect, his works began to be performed more frequently in the 20th century. Later commentators have acclaimed him as a composer of brilliance and originality whose premature death was a significant loss to French musical theatre.

Alexander Gretchaninov
25.10.1864, Moscow - 04.01.1956, New York City

Alexander Tikhonovich Gretchaninov (Russian: Алекса́ндр Ти́хонович Гречани́нов, IPA: [ɐlʲɪˈksandr ɡrʲɪtɕɐˈnʲinəf]; 25 October [O.S. 13 October] 1864 – 3 January 1956) was a Russian Romantic composer.

Alexander Gretchaninov
25.10.1864, Moscow - 03.01.1956, New York City

Alexander Tikhonovich Gretchaninov (Russian: Алекса́ндр Ти́хонович Гречани́нов, IPA: [ɐlʲɪˈksandr ɡrʲɪtɕɐˈnʲinəf]; 25 October [O.S. 13 October] 1864 – 3 January 1956) was a Russian Romantic composer.

Georg Schumann
25.10.1866, Königstein - 23.05.1952, Berlin

Georg Alfred Schumann (German: [ˈɡeː.ɔʁk ˈʃuː.man] ; 25 October 1866 – 23 May 1952) was a German composer and director of the Sing-Akademie zu Berlin.

Willem Andriessen
25.10.1887, Haarlem - 29.03.1964, Amsterdam

Willem Andriessen (Haarlem, October 25, 1887 – Amsterdam, March 29, 1964) was a Dutch pianist and composer. His compositional output was small due to the demands of performance and teaching, but he was nonetheless awarded a number of compositional prizes in Belgium and the Netherlands. He was an uncle of Louis Andriessen and Jurriaan Andriessen, who followed in his footsteps as composers.

Cemal Reşit Rey
25.10.1904, Jerusalem - 07.10.1985, Istanbul

Cemal Reşit Rey (Turkish pronunciation: [dʒeˈmaɫ ɾeˈʃit ɾej]; 25 October 1904 – 7 October 1985) was a Turkish composer, pianist, script writer and conductor. He was well known for a string of successful and popular Turkish-language operettas for which his brother Ekrem Reşit Rey (1900–1959) wrote the librettos.He was born on 25 October 1904 in Jerusalem and died on 7 October 1985 in Istanbul. He was one of the five pioneers of Western classical music in Turkey known as 'The Turkish Five' in the first half of the 20th century. Notable students include Yüksel Koptagel, a Turkish composer and pianist.

Don Banks
25.10.1923, Melbourne - 05.09.1980, Sydney

Donald Oscar Banks (25 October 1923 – 5 September 1980) was an Australian composer of concert, jazz, and commercial music.

Sergei Agababov
25.10.1926, Makhachkala - 23.10.1959, Vnukovo International Airport

Sergei Artyomevich Agababov (Russian: Серге́й Артемьевич Агабабов, 25 October 1926, in Makhachkala, Dagestan – 23 October 1959, in Vnukovo International Airport, Moscow, USSR) was a Soviet composer of Armenian origin.

Pierre Ancelin
25.10.1934, Cannes - 19.12.2001, Fontenay-lès-Briis

Pierre Ancelin (October 25, 1934 – December 19, 2001) was a French composer.

Zdeněk Pololáník
25.10.1935, Tišnov - ,

Zdeněk Pololáník (born 25 October 1935) is a Czech contemporary composer.

Zdeněk Pololáník
25.10.1935, Brno - ,

Zdeněk Pololáník (born 25 October 1935) is a Czech contemporary composer.

Pavel Helebrand
25.10.1960, Czechoslovakia - ,

Pavel Helebrand (October 25, 1960, Opava) is a contemporary Czech composer known for his theatrical scores for productions including Romeo and Juliet, Pride and Prejudice and Cinderella.

Pavel Helebrand
25.10.1960, Opava - ,

Pavel Helebrand (October 25, 1960, Opava) is a contemporary Czech composer known for his theatrical scores for productions including Romeo and Juliet, Pride and Prejudice and Cinderella.

David T. Little
25.10.1978, New Jersey - ,

David T. Little (born October 25, 1978) is a Grammy-nominated American composer, record producer, and drummer known for his operatic, orchestral, and chamber works, most notably his operas JFK, Soldier Songs, and Dog Days which was named a standout opera of recent decades by The New York Times. He is the artistic director of Newspeak, an eight-piece amplified ensemble that explores the boundaries between rock and classical music, and is a member of the composition faculty at Mannes School of Music.

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