Born Today! 01.10.2023

Andreas Nicolaus Vetter (German: [ˈfɛtɐ]; October 1666 – 13 June 1734) was a German organist and composer.

Anton Cajetan Adlgasser (sometimes Anton Cajetan Adelgasser; 1 October 1729 – 23 December 1777) was a German organist and composer at Salzburg Cathedral and at court, and composed a good deal of liturgical music (including eight masses and two requiems) as well as oratorios and orchestral and keyboard works. Born in Inzell, Bavaria, he moved to Salzburg, where he studied under Johann Ernst Eberlin. From 1750 he was organist at the Salzburg Cathedral, where he remained the rest of his life. After a visit to Italy in 1764–5 he set Metastasio's La Nitteti (his only opera) performed in Salzburg (1767), and in 1767 he collaborated with Mozart and Michael Haydn on the oratorio Die Schuldigkeit des ersten Gebots. Adlgasser's first marriage, in 1752, was to Maria Josepha, the daughter of his predecessor, J.E. Eberlin, at Salzburg Cathedral. Four years later he married Maria Barbara Schwab, and in 1769 the court singer Maria Anna Fesemayer (1743–82), who sang in Die Schuldigkeit and created the role of Ninetta in La finta semplice. Leopold Mozart stood witness to the third wedding. He died at Salzburg in 1777 of a stroke suffered while playing the organ.

Anton Cajetan Adlgasser (sometimes Anton Cajetan Adelgasser; 1 October 1729 – 23 December 1777) was a German organist and composer at Salzburg Cathedral and at court, and composed a good deal of liturgical music (including eight masses and two requiems) as well as oratorios and orchestral and keyboard works. Born in Inzell, Bavaria, he moved to Salzburg, where he studied under Johann Ernst Eberlin. From 1750 he was organist at the Salzburg Cathedral, where he remained the rest of his life. After a visit to Italy in 1764–5 he set Metastasio's La Nitteti (his only opera) performed in Salzburg (1767), and in 1767 he collaborated with Mozart and Michael Haydn on the oratorio Die Schuldigkeit des ersten Gebots. Adlgasser's first marriage, in 1752, was to Maria Josepha, the daughter of his predecessor, J.E. Eberlin, at Salzburg Cathedral. Four years later he married Maria Barbara Schwab, and in 1769 the court singer Maria Anna Fesemayer (1743–82), who sang in Die Schuldigkeit and created the role of Ninetta in La finta semplice. Leopold Mozart stood witness to the third wedding. He died at Salzburg in 1777 of a stroke suffered while playing the organ.

Pierre Marie François de Sales Baillot (1 October 1771 – 15 September 1842) was a French violinist and composer born in Passy. He studied the violin under Giovanni Battista Viotti and taught at the Conservatoire de Paris together with Pierre Rode (also a pupil of Viotti) and Rodolphe Kreutzer, who wrote the Conservatoire's official violin method (published in the early 19th century). He was sole author of the instructional L'Art du violon (1834). Baillot's teachings had a profound influence on technical and musical development in an age in which virtuosity was openly encouraged. He was leader of the Paris Opéra, gave solo recitals and was a notable performer of chamber music.

Pierre Marie François de Sales Baillot (1 October 1771 – 15 September 1842) was a French violinist and composer born in Passy. He studied the violin under Giovanni Battista Viotti and taught at the Conservatoire de Paris together with Pierre Rode (also a pupil of Viotti) and Rodolphe Kreutzer, who wrote the Conservatoire's official violin method (published in the early 19th century). He was sole author of the instructional L'Art du violon (1834). Baillot's teachings had a profound influence on technical and musical development in an age in which virtuosity was openly encouraged. He was leader of the Paris Opéra, gave solo recitals and was a notable performer of chamber music.

Johann Friedrich Eduard Sobolewski (born Königsberg (Królewiec), October 1, 1804 or 1808 - died St. Louis, May 17, 1872) was a Polish-American violinist, composer, and conductor. Sobolewski studied with Carl Friedrich Zelter in Berlin, and with Carl Maria von Weber in Dresden between 1821 and 1824. He became music director at the Königsberg Theater in 1830. He was the founder and conductor of the Philharmonische Gesellschaft, which he established in 1838, as well as the founder of the Königsberg Musikalische Akademie, established 1843. From 1847 to 1853 he led the Königsberg Theater, after which he led the theater in Bremen. In 1859 he emigrated to Milwaukee, Wisconsin, and quickly founded the city's Philharmonic Society Orchestra alongside efforts to stage operas. In 1860 he moved to St. Louis and became conductor of their Philharmonic Society from 1860 to 1866. He was professor of vocal music from 1869 to his death in 1872 at the Bonham Female Seminary. He was buried at Bellefontaine Cemetery in St. Louis.

Johann Friedrich Eduard Sobolewski (born Königsberg (Królewiec), October 1, 1804 or 1808 - died St. Louis, May 17, 1872) was a Polish-American violinist, composer, and conductor. Sobolewski studied with Carl Friedrich Zelter in Berlin, and with Carl Maria von Weber in Dresden between 1821 and 1824. He became music director at the Königsberg Theater in 1830. He was the founder and conductor of the Philharmonische Gesellschaft, which he established in 1838, as well as the founder of the Königsberg Musikalische Akademie, established 1843. From 1847 to 1853 he led the Königsberg Theater, after which he led the theater in Bremen. In 1859 he emigrated to Milwaukee, Wisconsin, and quickly founded the city's Philharmonic Society Orchestra alongside efforts to stage operas. In 1860 he moved to St. Louis and became conductor of their Philharmonic Society from 1860 to 1866. He was professor of vocal music from 1869 to his death in 1872 at the Bonham Female Seminary. He was buried at Bellefontaine Cemetery in St. Louis.

Johann Friedrich Eduard Sobolewski (born Königsberg (Królewiec), October 1, 1804 or 1808 - died St. Louis, May 17, 1872) was a Polish-American violinist, composer, and conductor. Sobolewski studied with Carl Friedrich Zelter in Berlin, and with Carl Maria von Weber in Dresden between 1821 and 1824. He became music director at the Königsberg Theater in 1830. He was the founder and conductor of the Philharmonische Gesellschaft, which he established in 1838, as well as the founder of the Königsberg Musikalische Akademie, established 1843. From 1847 to 1853 he led the Königsberg Theater, after which he led the theater in Bremen. In 1859 he emigrated to Milwaukee, Wisconsin, and quickly founded the city's Philharmonic Society Orchestra alongside efforts to stage operas. In 1860 he moved to St. Louis and became conductor of their Philharmonic Society from 1860 to 1866. He was professor of vocal music from 1869 to his death in 1872 at the Bonham Female Seminary. He was buried at Bellefontaine Cemetery in St. Louis.

Johann Friedrich Eduard Sobolewski (born Königsberg (Królewiec), October 1, 1804 or 1808 - died St. Louis, May 17, 1872) was a Polish-American violinist, composer, and conductor. Sobolewski studied with Carl Friedrich Zelter in Berlin, and with Carl Maria von Weber in Dresden between 1821 and 1824. He became music director at the Königsberg Theater in 1830. He was the founder and conductor of the Philharmonische Gesellschaft, which he established in 1838, as well as the founder of the Königsberg Musikalische Akademie, established 1843. From 1847 to 1853 he led the Königsberg Theater, after which he led the theater in Bremen. In 1859 he emigrated to Milwaukee, Wisconsin, and quickly founded the city's Philharmonic Society Orchestra alongside efforts to stage operas. In 1860 he moved to St. Louis and became conductor of their Philharmonic Society from 1860 to 1866. He was professor of vocal music from 1869 to his death in 1872 at the Bonham Female Seminary. He was buried at Bellefontaine Cemetery in St. Louis.

Orla Albert Vilhelm Rosenhoff (1 October 1844 – 4 June 1905) was a Danish musician, the son of Caspar Claudius Rosenhoff, an influential teacher of Danish musicians. Born in Copenhagen, Rosenhoff was a student of Adolph Lund and later of Niels Gade. When the music academy was established in 1867, Rosenhoff was the acting teacher of piano. He was later employed from 1881 to 1892 as a teacher of harmony, counterpoint and fugue. Teaching became Rosenhoff's life's work, and through it he exerted great influence on generations of Danish musicians, including Tekla Griebel-Wandall, Carl Nielsen and Hilda Sehested.As a composer, he created works of chamber music (quintet, sextet), songs, piano pieces (including pedal studies), and two overtures for orchestra. He published three collections of exercises for use in music theory lessons.

Paul Abraham Dukas (French: [dykas] or French: [dyka]; 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier), the fame of which has eclipsed that of his other surviving works. Among these are the opera Ariane et Barbe-bleue, his Symphony in C and Piano Sonata in E-flat minor, the Variations, Interlude and Finale on a Theme by Rameau (for solo piano), and a ballet, La Péri. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy. In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École Normale de Musique; his pupils included Maurice Duruflé, Olivier Messiaen, Walter Piston, Manuel Ponce, Joaquín Rodrigo and Xian Xinghai.

Morfydd Llwyn Owen (1 October 1891 – 7 September 1918) was a Welsh composer, pianist and mezzo-soprano. A prolific composer, as well as a member of influential intellectual circles, she died shortly before her 27th birthday.

Karl Rankl (1 October 1898 – 6 September 1968) was a British conductor and composer who was of Austrian birth. A pupil of the composers Schoenberg and Webern, he conducted at opera houses in Austria, Germany and Czechoslovakia until fleeing from the Nazis and taking refuge in England in 1939. Rankl was appointed musical director of the newly formed Covent Garden Opera Company in 1946, and built it up from nothing to a level where it attracted some of the best known international opera singers as guest stars. By 1951, performances under guest conductors, such as Erich Kleiber and Sir Thomas Beecham were overshadowing Rankl's work, and he resigned. After five years as conductor of the Scottish National Orchestra, he was appointed musical director of the Elizabethan Theatre Trust's opera company, the forerunner of Opera Australia. In his last years, Rankl concentrated on composing. Throughout his career he had written a series of symphonies and other works, including an opera. His symphonies were politely received, but did not enter the regular orchestral repertoire. The opera has never been performed.

Vladimir Samoylovich Horowitz (October 1 [O.S. September 18] 1903 – November 5, 1989) was a Russian-born American classical pianist. Considered one of the greatest pianists of all time, he was known for his virtuoso technique, timbre, and the public excitement engendered by his playing.

Vladimir Samoylovich Horowitz (October 1 [O.S. September 18] 1903 – November 5, 1989) was a Russian-born American classical pianist. Considered one of the greatest pianists of all time, he was known for his virtuoso technique, timbre, and the public excitement engendered by his playing.

Sylvano Bussotti (1 October 1931 – 19 September 2021) was an Italian composer of contemporary classical music, also a painter, set and costume designer, opera director and manager, writer and academic teacher. His compositions employ graphic notation, which has often created special problems of interpretation. He was known as a composer for the stage. His first opera was La Passion selon Sade, premiered in Palermo in 1965. Later operas and ballets were premiered at the Teatro Comunale di Firenze, Teatro Lirico di Milano, Teatro Regio di Torino and Piccola Scala di Milano, among others. He was artistic director of La Fenice in Venice, the Puccini Festival and the music section of the Venice Biennale. He taught internationally, for a decade at the Fiesole School of Music. He is regarded as a leading composer of Italy's avantgarde, and a Renaissance man with many talents who combined the arts expressively.

Alan Holley (born 1 October 1954) is an Australian composer and musician.

Mehdi Rajabian (Persian: مهدی رجبیان; born October 1989) is an Iranian composer and musician. He was imprisoned for pursuing illegal musical activities in 2013. In 2019, he released the album Middle Eastern in collaboration with a number of other Middle Eastern artists.