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Julije Bajamonti
24.08.1744, Split - 12.12.1800, Split

Julije (Julio) Bajamonti (Italian: Giulio Bajamonti; 4 August 1744 – 12 November 1800) was a medical historian, writer, translator, encyclopedist, historian, philosopher, and musician from the city of Split in present-day Croatia. His wife was Ljuba Bajamonti, a Split commoner. Bajamonti is known for composing the first preserved oratorio in Croatia (La traslazione di San Doimo), writing about the history of Split (unfinished and unpublished), and helping Alberto Fortis, with his journey around Dalmatia which also included the discovery of the now famous South Slavic Muslim song, Hasanaginica. After the fall of Venice in 1797 he urged that Dalmatia should be annexed to the Habsburg monarchy. In his speech in 1797 he stated that Austria was the successor of the old Venetian state. Like many other intellectuals along the Dalmatian coast Bajamonti wrote most of his works in Italian. Niccolò Tommaseo claims that there was no one in Italy who wrote better than Bajamonti during his time. He performed his medical work in the cities of Split, Hvar, and Kotor (in the area of Boka Kotorska in today's Montenegro).

Julije Bajamonti
24.08.1744, Split - 04.11.1800, Split

Julije (Julio) Bajamonti (Italian: Giulio Bajamonti; 4 August 1744 – 12 November 1800) was a medical historian, writer, translator, encyclopedist, historian, philosopher, and musician from the city of Split in present-day Croatia. His wife was Ljuba Bajamonti, a Split commoner. Bajamonti is known for composing the first preserved oratorio in Croatia (La traslazione di San Doimo), writing about the history of Split (unfinished and unpublished), and helping Alberto Fortis, with his journey around Dalmatia which also included the discovery of the now famous South Slavic Muslim song, Hasanaginica. After the fall of Venice in 1797 he urged that Dalmatia should be annexed to the Habsburg monarchy. In his speech in 1797 he stated that Austria was the successor of the old Venetian state. Like many other intellectuals along the Dalmatian coast Bajamonti wrote most of his works in Italian. Niccolò Tommaseo claims that there was no one in Italy who wrote better than Bajamonti during his time. He performed his medical work in the cities of Split, Hvar, and Kotor (in the area of Boka Kotorska in today's Montenegro).

Johann Andreas Amon
24.08.1763, Drosendorf an der Aufseß - 29.03.1825, Wallerstein

Johann Andreas Amon (1763 – March 29, 1825) was a German virtuoso guitarist, horn player, violist, conductor and composer. Amon composed around eighty works, including symphonies, concerti, sonatas, and songs. He also wrote two masses, various liturgical works, and two operettas.

Emanuele Muzio
24.08.1821, Zibello - 27.11.1890, Paris

Donnino Emanuele Muzio (or Mussio) (24 August 1821 in Zibello – 27 November 1890 in Paris) was an Italian composer, conductor and vocal teacher. He was a lifelong friend and the only student of Giuseppe Verdi.

Marcial del Adalid y Gurréa
24.08.1826, A Coruña - 16.10.1881,

Marcial del Adalid y Gurréa (24 August 1826 – 16 October 1881) was a Spanish composer. He studied music in London between 1840 and 1844 with Ignaz Moscheles and it is possible that he also studied with Chopin in Paris. Both men influenced the style and form of his musical compositions. After finishing his studies, Adalid y Gurréa returned to Spain where he lived in A Coruña and later Madrid. Highly influenced by lieder, his most important compositions were vocal art songs and songs for the piano. A particularly fine example of his work is his 1877 composition Cantares nuevos y viejos de Galicia where he successfully blended the folklore of Galicia with the technique and spirit of Romantic piano music. He also composed one opera Inese e Bianca, which was never staged. In addition to composing, Adalid y Gurréa spent much of his time teaching music courses and organizing music competitions. He was married to writer Fanny Garrido and the father of painter María del Adalid.

Théodore Dubois
24.08.1837, Rosnay - 11.06.1924, Paris ,Rosnay

Clément François Théodore Dubois (24 August 1837 – 11 June 1924) was a French Romantic composer, organist, and music teacher. After study at the Paris Conservatoire, Dubois won France's premier musical prize, the Prix de Rome in 1861. He became an organist and choirmaster at several well-known churches in Paris, and at the same time was a professor in the Conservatoire, teaching harmony from 1871 to 1891 and composition from 1891 to 1896, when he succeeded Ambroise Thomas as the Conservatoire's director. He continued his predecessor's strictly conservative curriculum and was forced to retire early after a scandal erupted over the faculty's attempt to rig the Prix de Rome competition to prevent the modernist Maurice Ravel from winning. As a composer, Dubois was seen as capable and tasteful, but not strikingly original or inspired. He hoped for a career as an opera composer, but became better known for his church compositions. His books on music theory were influential, and remained in use for many years.

Eduard Nápravník
24.08.1839, Býšť - 23.11.1916, Saint Petersburg

Eduard Francevič Nápravník (Russian: Эдуа́рд Фра́нцевич Напра́вник; 24 August 1839 – 10 November 1916) was a Czech conductor and composer. Nápravník settled in Russia and is best known for his leading role in Russian musical life as the principal conductor of the Imperial Mariinsky Theatre in Saint Petersburg for many decades. In that capacity, he conducted the premieres of many operas by Russian composers, including those by Mussorgsky, Tchaikovsky and Rimsky-Korsakov.

Eduard Nápravník
24.08.1839, Býšť - 10.11.1916, Saint Petersburg

Eduard Francevič Nápravník (Russian: Эдуа́рд Фра́нцевич Напра́вник; 24 August 1839 – 10 November 1916) was a Czech conductor and composer. Nápravník settled in Russia and is best known for his leading role in Russian musical life as the principal conductor of the Imperial Mariinsky Theatre in Saint Petersburg for many decades. In that capacity, he conducted the premieres of many operas by Russian composers, including those by Mussorgsky, Tchaikovsky and Rimsky-Korsakov.

Ingeborg Bronsart von Schellendorf
24.08.1840, Saint Petersburg - 17.06.1913, Munich

Ingeborg Bronsart von Schellendorf (born Ingeborg Maria Wilhelmina Starck, 24 August 1840 in Saint Petersburg, died 17 June 1913 in Munich) was a Finnish-German composer.

Paul Rougnon
24.08.1846, Poitiers - 11.12.1934,

Paul-Louis Rougnon (24 August 1846 – 11 December 1934) was a French composer, pianist and music educator.

Felix Mottl
24.08.1856, Unter Sankt Veit - 02.07.1911, Munich

Felix Josef von Mottl (between 29 July/29 August 1856 – 2 July 1911) was an Austrian conductor and composer. He was regarded as one of the most brilliant conductors of his day. He composed three operas, of which Agnes Bernauer (Weimar, 1880) was the most successful, as well as a string quartet and numerous songs and other music. His orchestration of Richard Wagner's "Wesendonck Lieder" is still the most commonly performed version. He was also a teacher, and his pupils included Ernest van Dyck and Wilhelm Petersen.

Rentarō Taki
24.08.1879, Tokyo - 29.06.1903, Ōita

Rentarō Taki (滝 廉太郎, Taki Rentarō, 24 August 1879 – 29 June 1903) was a Japanese pianist and composer of the Meiji era.Taki was born in Tokyo, but moved to many places during his childhood owing to his father's job. He graduated from the Tokyo Music School in 1901. One of his famous pieces is "Kōjō no Tsuki" (Moon Over the Ruined Castle), which was included in the songbook for junior high school students, along with the "Hakone-Hachiri" (箱根八里). "Hana" (花, "Flower") is also a well-known song.In the same year, Taki went to the Leipzig Conservatory in Germany for further studies, but fell seriously ill with pulmonary tuberculosis and therefore returned to Japan. He lived quietly in the country afterwards, but soon died at the age of 23. His posthumous work is a solo piano piece called "Urami" (憾, "Regret"), which he wrote four months before he died.

Alberto Bimboni
24.08.1888, Florence - 02.06.1960, New York City

Alberto Bimboni (1882–1960) was an Italian-born American composer and conductor. He is remembered today, if at all, for his opera Winona; consequently, he is sometimes grouped with other composers of the Indianist movement in American music.

Ludwig Schmidseder
24.08.1904, Passau - 21.06.1971, Munich

Ludwig Schmidseder (24 August 1904, in Passau – 21 June 1971, in Munich) was a German composer and pianist of the "Light Muse". Several of his Schlager compositions are still popular tunes today. The young Schmidseder followed his father's wishes and trained as a banker, whilst taking piano lessons in secret. He furthered his musical education at the Munich Conservatorium, then left for South America in 1926, ending up in Rio de Janeiro. Starting out as a dishwasher, he went on to become an entertainer and play in a trio on ocean cruises. Schmidseder composed music for the trio, and developed into a virtuoso piano player. From 1930 he worked in Berlin, composing film music, creating operettas and writing more than 500 songs, some of which became much-loved hits. He moved from being a bar pianist (until 1936) to being the house composer at the old Berlin Metropol-Theatre. His operetta Die Oder Keine (That One or No One) was performed more than 600 times. Schmidseder joined the NSDAP on 1 May 1933.After World War II, Schmidseder continued to compose film music and appear in films. The corpulent cook would later become famous as a TV cook and produced a book of recipes.

Léo Ferré
24.08.1916, Monaco - 14.07.1993, Castellina in Chianti

Léo Ferré (24 August 1916 – 14 July 1993) was a French-born Monégasque poet and composer, and a dynamic and controversial live performer, whose career in France dominated the years after the Second World War until his death. He released some forty albums over this period, composing the music and the majority of the lyrics. He released many hit singles, particularly between 1960 and the mid-seventies. Some of his songs have become classics of the French chanson repertoire, including "Avec le temps", "C'est extra", "Jolie Môme" and "Paris canaille".

Niels Viggo Bentzon
24.08.1919, Copenhagen - 25.04.2000, Copenhagen

Niels Viggo Bentzon (Copenhagen, 24 August 1919 – Copenhagen, 25 April 2000) was a Danish composer and pianist.

Richard Meale
24.08.1932, - 23.11.2009,

Richard Graham Meale, AM, MBE (24 August 1932 – 23 November 2009) was an Australian composer of instrumental works and operas.

Stephen Paulus
24.08.1949, Summit - 19.10.2014, Arden Hills

Stephen Paulus (August 24, 1949 – October 19, 2014) was an American Grammy Award winning composer, best known for his operas and choral music. His style is essentially tonal, and melodic and romantic by nature.His best-known piece is his 1982 opera The Postman Always Rings Twice, one of several operas he composed for the Opera Theatre of St. Louis, which prompted The New York Times to call him "a young man on the road to big things". He received grants from the National Endowment for the Arts and Guggenheim Foundation and won the prestigious Kennedy Center Friedheim Prize. He was commissioned by such notable organizations as the Minnesota Opera, the Chamber Music Society of Lincoln Center, Opera Theatre of Saint Louis, the Saint Louis Chamber Chorus, the American Composers Orchestra, the Dale Warland Singers, the Harvard Glee Club and the New York Choral Society.Paulus was a passionate advocate for the works and careers of his colleagues. He co-founded the American Composers Forum in 1973, the largest composer service organization in the U.S., and served as the Symphony and Concert Representative on the ASCAP Board of Directors from 1990 until his death (from complications following a stroke in July 2013) in 2014.

Mona Lyn Reese
24.08.1951, Morris - ,

Mona Lyn Reese (born August 24, 1951) is an American composer, best known for her operas and choral music. Her work is melodic and accessible with an emphasis on driving or complex rhythms, movement, and contrasting textures. Her music communicates and expresses emotions traditionally or experimentally without allowing a prevailing fashion to dictate style, form, or harmony.

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